What’s included in our literacy curriculum for 6–8

Amplify ELA is a blended literacy curriculum designed specifically for grades 6–8. The heart of every lesson is the text. Our core English Language Arts curriculum enables teachers to teach skills through texts and develop their students’ muscles for building meaning through reading. With Amplify ELA, students learn to attack any complex text and make observations, grapple with interesting ideas, and find relevance for themselves.

Year at a glance

Each grade includes six core units centered on literary or informational texts, delivered in several forms of media. In addition to these main units, students will engage with targeted Grammar lessons and a dedicated Story Writing unit, plus two to three immersive learning experiences called Quests.

Dahl & Narrative

1 assessment lesson
4 sub-units | 28 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Mysteries & Investigations

1 assessment lesson
5 sub-units | 32 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Chocolate Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

The Greeks

Myth World Quest

1 assessment lesson
4 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Summer of the Mariposas

1 assessment lesson
2 sub-units | 27 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Titanic Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Red Scarf Girl

1 assessment lesson
4 sub-units | 31 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Character & Conflict

1 assessment lesson
4 sub-units | 29 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Brain Science

Perception Academy Quest

1 assessment lesson
4 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Poetry & Poe

The “Who Killed Edgar Allen Poe” Quest

1 assessment lesson
5 sub-units | 29 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Frida & Diego Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Gold Rush Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Perspectives & Narrative

1 assessment lesson
4 sub-units | 27 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Liberty & Equality

1 assessment lesson
6 sub-units | 38 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Science & Science Fiction

1 assessment lesson
3 sub-units | 29 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Shakespeare’s Romeo & Juliet

1 assessment lesson
2 sub-units | 22 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Holocaust: Memory & Meeting

1 assessment lesson
6 sub-units | 21 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Space Race Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

Units at a glance

Amplify ELA lessons follow a structure both grounded in regular routines and flexible enough to allow for a variety of learning experiences. Lesson structures vary from day to day, ensuring that students are always engaged.

Learn more in the Amplify ELA Grade Overview.

Unit 6A

Dahl & Narrative

Students begin with narrative writing to develop foundational Focus skills and establish key classroom routines. Teachers use this work to create targeted feedback cycles and build a vibrant community centered on diverse experiences. Students then apply observational skills to Roald Dahl’s Boy: Tales of Childhood, learning to work closely with textual evidence.

Unit 6B

Mysteries & Investigations

Students read like an investigator to embark on a multi-genre study into the mesmerizing world of scientific and investigative sleuthing. The Secret of the Yellow Death: A True Story of Medical Sleuthing by Suzanne Jurmain, and Sir Arthur Conan Doyle’s Sherlock Holmes stories take place in the late 19th century, when medical diagnostics and criminal investigations were still evolving into scientific fields.

Unit 6C

The Chocolate Collection

Students explore primary documents and research the diverse cultural roles chocolate has played over 3,700 years, from its various uses in ancient Mexico to issues with modern production. Along the way, they build information literacy skills, craft research questions, and collaborate in Socratic seminars. Students also learn how to construct an evidence-based argument and use those skills to write pieces aimed at convincing readers about chocolate preferences, school lunch policies, and recommendations for local candy stores.

Unit 6D

The Greeks

Students closely explore and analyze three stories from Greek mythology: “Prometheus,” “Odysseus,” and “Arachne.” Drawing on the routines and skills established in previous units, these lessons ask students to move from considering the state of a single person to contemplating broader questions concerning the role people play in the world and the various communities they inhabit.

Unit 6E

Summer of the Mariposas

Students read Summer of the Mariposas by Guadalupe García McCall, a contemporary Latino retelling of The Odyssey. Following five sisters on their journey into Mexico and back, students explore this reimagining of the hero’s journey as they encounter Mexican folklore and Aztec legends along the way. Students analyze character development, compare the novel to Homer’s original, research Aztec mythology, explore symbolism, and engage in collaborative discussions before writing an essay about what makes the heroes successful.

Unit 6F

The Titanic Collection

Students explore primary documents and conduct research to understand the 1912 Titanic disaster, building information literacy skills by examining artifacts such as dining menus, ship photos, telegraph transcripts, and newspaper accounts. Each student is assigned a passenger from the manifest and writes a narrative account from that person’s perspective, considering different views. Students also participate in Socratic seminars to examine the complicated issues within the Titanic story.

Unit 7A

Red Scarf Girl & Narrative

Students begin with narrative writing to develop foundational Focus skills while teachers establish targeted feedback cycles and build a classroom community centered on diverse experiences. After exploring how they describe their own experiences and emotions, students apply the same close attention to analyzing details in Ji-li Jiang’s Red Scarf Girl: A Memoir of the Cultural Revolution.

Unit 7B

Character & Conflict

Students analyze characters’ responses to conflict and examine how authors use character interactions to develop theme and perspective. They read Carson McCullers’ “Sucker” and Lorraine Hansberry’s A Raisin in the Sun, both texts that explore how families facing hardships can support and harm one another. Students observe complex character growth and discuss issues of identity, family obligations, and differing notions of success.

Unit 7C

Brain Science

Students explore narrative nonfiction and informational texts about brain science to understand what it means to be human and how their developing brains impact daily experiences. They also build awareness of their cognitive strengths and analyze the structures of informational texts and scientific arguments. Key texts include Phineas Gage, Inventing Ourselves: The Secret Life of the Teenage Brain, and Oliver Sacks’ The Man Who Mistook His Wife for a Hat.

Unit 7D

Poetry & Poe

Students learn visualization techniques to read like a movie director, beginning with poems by D.H. Lawrence, Federico García Lorca, and Emily Dickinson to form mental images. They then read three Edgar Allan Poe texts, creating storyboards and analyzing narrative elements to learn about unreliable narrators. Students also participate in the murder-mystery Quest “Who Killed Edgar Allan Poe?” and write an essay arguing whether they can trust a narrator in the unit’s texts.

Unit 7E

The Frida & Diego Collection

Students explore primary source documents and research on Mexican artists Diego Rivera and Frida Kahlo, learning how they drew inspiration from Latin American folklore, politics, and customs. Along the way, students build information literacy by generating research questions and visual analysis skills through close reading of key paintings. They also compare the artists’ descriptive writing to Shakespeare’s and analyze figurative language. The unit culminates in a research project showcasing their interpretation of Frida and Diego’s work and legacy.

Unit 7F

The Gold Rush Collection

Students explore primary documents and conduct research on the California Gold Rush, building information literacy skills and constructing research questions. They also learn about the diverse people who participated, compare fictional and historical accounts, and participate in Socratic seminars. Students write narrative accounts from specific perspectives and complete a culminating research assignment combining essay and media project elements.

Unit 8A

Perspectives & Narrative

Students learn to read like writers, paying attention to craft and writing moves that shape reader experience and developing Focus and Showing skills as they build collaborative classroom routines. Students study three narrative texts, exploring themes of belonging and identity through close reading. They also practice alternating between analytic and narrative writing, and conclude with an essay arguing whether the mothers in Amy Tan’s “Fish Cheeks” are role models. 

Unit 8B

Liberty & Equality

Students study Civil War-era writings that debate the meaning of “all men are created equal,” exploring various perspectives on American ideals. Key texts include Walt Whitman’s Leaves of Grass, Frederick Douglass’ Narrative, and Harriet Ann Jacobs’s Incidents in the Life of a Slave Girl. The unit culminates with an essay examining Douglass’s arguments and Lincoln’s Gettysburg Address to consider what America means by “all men are created equal.”

Unit 8C

Science & Science Fiction

Students read Gris Grimly’s Frankenstein, a graphic novel adaptation of Mary Shelley’s novel, exploring themes of creator responsibility, societal influence, and the risks of scientific inquiry. They trace Victor’s sympathy for his creation, rewrite scenes from the creature’s perspective, and debate whether Victor owes the creature a companion. The unit concludes with an essay determining whether the creature should be considered human.

Unit 8D

Shakespeare’s Romeo & Juliet

Students read five excerpts from Shakespeare’s Romeo and Juliet to learn key elements of Shakespearean English through close reading. They practice memorizing and reciting the famous “Prologue,” put on stage performances, translate Shakespeare’s language into contemporary terms, and study the Shakespearean sonnet form. The unit concludes with an essay arguing whether love or hate is responsible for Romeo’s death.

Unit 8E

Holocaust: Memory & Meaning

Students use close reading to explore memoirs and primary sources that address two key Holocaust questions: How do societies become participants in atrocity, and what are our responsibilities as witnesses? Students analyze multiple perspectives through texts, including Alexander Kimel’s “I Cannot Forget,” Irene Butter’s Shores Beyond Shores, 1936 Olympics propaganda, and excerpts from Maus and Night.

Unit 8F

The Space Race Collection

Students explore primary documents and conduct research on the Space Race. They build information literacy skills, construct research questions, and learn about diverse participants from Soviet cosmonauts to American heroes like Buzz Aldrin and Katherine Johnson. Each student researches an assigned cosmonaut or astronaut and writes space blog entries from their perspective. Students also complete a capstone research essay and media project.

Print & digital components

The program includes instructional guidance and student materials for a year of instruction, with lessons and activities that keep students engaged every day.

A diagram shows the Amplify ELA curriculum with examples of the digital teacher edition on a tablet, print teacher edition pages, and a teacher projection of an artwork on a screen.

Teacher materials

Teacher Edition

Available digitally and in print, the Teacher’s Edition contains all the information teachers need to facilitate classroom instruction, including detailed lesson plans, video teacher tips, presentation slides, standards alignment, Exit Tickets, real-time differentiation strategies, and robust reporting.

Student materials

Student Edition

Available digitally and in print, student materials guide middle schoolers through complex texts and writing by engaging them with high-quality narrative and informational texts—providing videos, audio supports, and a digital experience that captures their attention. They also keep all of their writing in one place with a personal Writing Journal.

A collection of Amplify ELA materials including a print student edition, a digital student edition on a laptop, a writing journal, and an Arachne literature module.

Explore more programs

Our programs are designed to support and complement one another. Learn more about our related programs.

Corona-Norco Unified School District

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Amplify ELA – Atlanta Review3

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¡El programa de Amplify ELA da la bienvenida a las familias!

Nos complace dar la bienvenida a usted y a su estudiante al programa Amplify ELA en el nuevo año escolar y brindar a su estudiante excelentes oportunidades educativas a través de nuestro programa. A continuación incluimos una serie de recursos y guías útiles para ayudar a que su estudiante aproveche al máximo nuestra plataforma a lo largo del año. For English version, please click here.

¿Qué es Amplify ELA?

El programa Amplify ELA ayuda a los estudiantes de los grados 6 a 8 a leer y entender textos complejos, animándoles a profundizar en ideas interesantes y reflexionar de forma independiente sobre su relevancia. Amplify ELA es un programa mixto que incluye materiales digitales e impresos, así como una versión únicamente impresa. Los estudiantes que usan Amplify ELA leen pasajes de texto detalladamente, interpretan lo que van descubriendo, conversan con sus compañeros acerca de sus puntos de vista y desarrollan sus ideas por escrito. La estructura de las lecciones es fácil de entender y tiene suficiente flexibilidad como para permitir una variedad de experiencias de aprendizaje que fomenten el interés de los estudiantes.

Entre las características del programa, puede encontrar:

  • Funcionalidad que permite a cada estudiante trabajar en su propio nivel, a la vez que se le estimula adecuadamente con retos de aprendizaje.
  • Herramientas integradas que permiten al maestro/la maestra saber cómo progresan los estudiantes en sus trabajos y responder oportunamente.
  • La Biblioteca Amplify digital, con más de 700 libros descargables de ficción y no ficción.
  • La aplicación de vocabulario, que usa actividades similares a juegos para ayudar a los estudiantes a dominar las palabras clave de los textos del programa. (Si su estudiante usa materiales impresos, verá las palabras resaltadas).
  • Tareas de escritura independiente llamadas Solos, disponibles en dispositivos móviles.
  • Proyectos interactivos conocidos como Quests que acompañan a determinadas unidades para ofrecer oportunidades de práctica adicionales en lectura, escritura, expresión oral y comprensión auditiva con un enfoque analítico.

Para comenzar

Cómo apoyar a su estudiante

  • Si es posible, lea con su estudiante a diario. Aun 15 minutos de lectura compartida todos los días pueden producir grandes resultados. Pueden leer secciones del texto en voz alta y de forma conjunta. Es posible que, a nivel intermedio, su estudiante disfrute de representar secciones de diálogos asumiendo el papel de alguno de los personajes de una obra o dándole un estilo dramático a algún poema que hayan estado estudiando. Si su estudiante tiene dificultad para leer en voz alta, intente leerle el texto con expresividad y pídale que se lo lea a usted después. Para practicar más, hay una gama de actividades de fluidez en los Días Flex del programa. Pida a su estudiante que le ayude a encontrar estas actividades.
  • Busque oportunidades para conversar con su estudiante sobre lo que lee y descubre. Ejemplos de preguntas que usted podría plantear: ¿Qué te llamó más la atención en lo que leíste hoy? ¿Hubo alguna oración o palabra que te resultó confusa? ¿Qué fue lo que más te sorprendió? ¿Qué crees que el autor estaba tratando de comunicar? ¿Estás de acuerdo con las ideas o descripciones del autor? ¿Qué conexiones puedes hacer entre lo que estás leyendo y tu propia vida u otros temas?
  • Escuche a su estudiante leer sus respuestas escritas o pídale que las comparta con un amigo o amiga por teléfono o mediante una aplicación de videollamada.
  • Visite con su estudiante la Biblioteca Amplify para encontrar libros de su interés que pueda leer con fluidez.
  • Recomendamos que lea el artículo Proteja a los niños en internet de la Comisión Federal de Comercio sobre seguridad digital.

Descargar textos de la Biblioteca Amplify

Si no tiene acceso continuo a internet en su casa, le sugerimos que descargue los textos esenciales de la biblioteca de Amplify por adelantado. Siga estos pasos para descargar un texto:

  1. Navegue hasta el menú “Program & Apps» en la parte superior de su pantalla y desplácese hasta encontrar el icono «Library». Cuando lo seleccione, la biblioteca Amplify se abrirá en una nueva pestaña.

2. Si se le solicita, siga las instrucciones para configurar un pin para la biblioteca Amplify; de lo contrario, continúe con el siguiente paso.

3. En la esquina superior derecha de su pantalla, busque el libro que desea descargar. Por ejemplo: “The Secret of the Yellow Death: A True Story of Medical Sleuthing”.

4. Ahora ubique el botón de “Download” (descargar).

5. Una vez descargado, podrá acceder a este libro incluso cuando no tenga acceso a Internet.
Para acceder a los textos descargados:

  1. En la aplicación de la biblioteca de Amplify, abra el menú desplegable «My Library» (mi biblioteca) en la esquina superior izquierda.
  2. Seleccione “Downloaded” (descargados).
  3. Elija el texto que desea leer de entre todos los textos predescargados.

Vistazo general a los materiales

No todas las escuelas funcionan de la misma manera, pero es probable que los estudiantes que asisten a escuelas que cuentan con las versiones impresa y digital del programa, tengan los siguientes materiales impresos en casa: 

  • Libro del estudiante: Incluye todas las lecturas y actividades necesarias para la enseñanza a lo largo del año. Los estudiantes pueden leer las selecciones tanto en el formato digital como en la versión impresa y hacer apuntes en cualquiera de los dos. Las lecciones de la versión impresa del Libro del estudiante reflejan las lecciones digitales, pero han sido modificadas para que resulten tan eficaces como las digitales.
  • Cuadernos de escritura: En estos cuadernos, los estudiantes responden a las consignas de escritura y realizan otras tareas escritas.

En caso de que los estudiantes no tengan acceso a los dispositivos o a internet, pueden continuar llevando a cabo tareas clave de lectura y escritura empleando la versión impresa del Libro del estudiante y los Cuadernos de escritura.
El maestrotambién puede acceder a las Guías de novelas para los estudiantes e imprimir y enviar por correo hasta doce novelas que comúnmente forman parte del programa de enseñanza. Seis de estas novelas están disponibles en la Biblioteca Amplify y la mayoría de ellas se pueden encontrar en las bibliotecas públicas.

Un vistazo a las unidades

A continuación encontrará resúmenes de cada unidad en las que su estudiante trabajará en su grado durante el año. Junto a cada unidad hay una guía descargable que permite conocer más a detalle cuál es el contenido abarcado y cómo puede ayudar a su estudiante a comprender mejor los temas.

Unidad 6A

La narrativa de Dahl

Cada estudiante comienza con escritura narrativa para aumentar rápidamente su producción de escritura, aprender la destreza básica de enfoque y familiarizarse con los hábitos y rutinas clave del salón de clases que utilizarán todo el año. Luego, aplica su nueva capacidad de observación a entretenidas lecturas de la biografía de Roald Dahl, Boy, y aprende a trabajar de cerca con evidencias del texto.

Unidad 6B

Misterios e investigaciones

Cada estudiante lee con la atención propia de un investigador, embarcándose en un estudio del cautivante mundo del trabajo de detective en distintos géneros literarios. Al final de la unidad, el niño o la niña escribe una composición para explicar cuál es el rasgo más útil de un investigador en la resolución de problemas.

Unidad 6C

Colección acerca del chocolate

Los aztecas lo usaban como moneda, Robert Falcon Scott lo llevó a la Antártida, los nazis diseñaron con él una bomba para matar a Churchill. La historia del chocolate se remonta a 3,700 años en el pasado y está repleta de vicisitudes que la vuelven un tema de investigación gratificante. En esta unidad los y las estudiantes analizan documentos de primera fuente y conducen investigaciones independientes para entender mejor la extraña y maravillosa gama de roles que el chocolate ha desempeñado en el mundo a lo largo de los siglos.

Unidad 6D

Los griegos

Los mitos griegos nos ayudan a entender no solo la cultura griega antigua, sino también el mundo que nos rodea y la función que cumplimos en él. Partiendo de las rutinas y destrezas establecidas en las unidades anteriores, estas lecciones motivan a cada estudiante a dejar atrás el enfoque en una sola persona —él mismo o ella misma o un personaje— para contemplar cuestiones más amplias sobre el papel que las personas desempeñan en el mundo y en las comunidades donde residen.

Unidad 6E

El verano de las mariposas

Las tierras fronterizas de Estados Unidos y México son lugares poblados de leyendas, tanto verdaderas como ficticias. El verano de las mariposas, de Guadalupe García McCall, implanta una versión de la Odisea en este entorno, embarcando a cinco hermanas en una aventura que transcurre en un mundo de héroes y malhechores inspirado en mitos aztecas y leyendas latinoamericanas. La experiencia ayuda a las hermanas a aceptar la disolución del matrimonio de sus padres y a encontrar fortaleza renovada en su identidad de hermanas y en su conexión a un linaje azteca. En esta unidad, cada estudiante analiza el uso que McCall da a la estructura de una epopeya para crear una narración emocionante de aventuras, y cómo la autora hace uso de la narración para celebrar el poder femenino, su herencia latina y una definición más amplia de lo que es una familia. Cada estudiante también tiene oportunidad de comparar el viaje ficticio de las jóvenes a México con la descripción del viaje real de un jovencito a Estados Unidos.

Unidad 6F

Colección acerca del Titanic

Para aprender a diferenciar las fuentes primarias, secundarias y terciarias, determinar si una fuente dada es fiable y entender los usos éticos de la información, cada estudiante formula sus propias preguntas de investigación y busca las respuestas en internet. Asumirá así el papel de uno de los pasajeros o pasajeras de la lista de embarque del Titanic y considerará cuestiones de clase y género, a medida que investiga y escribe relatos desde el punto de vista de los viajeros.

Unidad 6F y unidad 6G

Comenzar a escribir un cuento

En esta unidad cada estudiante puede poner en práctica sus destrezas de escritura creativa, para aprender elementos de narración y desarrollo de personajes, y la importancia del lenguaje vívido. Cada estudiante consigue una noción de propiedad sobre su propia escritura a medida que experimenta los diferentes impactos de sus decisiones autorales en oraciones, lenguaje, rasgos de personajes y giros de la trama.

Unidad 6F

Gramática

En esta unidad cada estudiante completa instrucciones para seguir un aprendizaje autoguiado y practica lo que el maestro y la maestra le asignará durante el año.

Unidad 7A

La narrativa y La joven del pañuelo rojo

En esta unidad se presenta la autobiografía sumamente cautivante de una joven cuya vida transcurre en China durante la Revolución Cultural. Cada estudiante aprende la historia y el contexto político de este periodo, enfocándose en el relato de alguien que vivió en la época de la revolución. A medida que cada estudiante recorre el camino de la protagonista en ese mundo convulsionado, puede apreciar los cambios que se produjeron en los sentimientos y motivaciones de la joven a lo largo del tiempo.

Unidad 7B

Carácter y conflicto

Leyendo Una pasa al sol y Inocentón, cada estudiante explora el tema de las personas que, al enfrentar adversidades, pueden infligir daño en quienes los rodean sin intención de hacerlo. Las dos narrativas se complementan para brindar a cada estudiante oportunidades de analizar las respuestas de los personajes al conflicto y el desarrollo de ideas del autor o la autora en una obra de ficción.

Unidad 7C

La ciencia del cerebro
¿Podrías sobrevivir después de que una vara de hierro te atravesara el cráneo? Phineas Gage lo hizo y su historia, escalofriante pero real, permite desarrollar la información de contexto y analizar otros textos informativos, incluyendo los contemporáneos El hombre que confundió a su mujer con un sombrero y el obviamente relevante La desmitificación del cerebro adolescente.

Unidad 7D

La poesía y Poe

Los textos de Poe siempre tienen mucho para observar, descifrar, comentar y… crisparnos los nervios. Dado que las cosas no siempre son lo que aparentan, cada estudiante usa las destrezas de lectura atenta para cuestionar si debería creer lo que el narrador de Poe les está contando.

Unidad 7E

Colección acerca de Frida y Diego

Los artistas más famosos y provocativos de México, Diego Rivera y Frida Kahlo, formaron una pareja extraordinaria que vivió en tiempos extraordinarios. Eran almas gemelas con personalidades totalmente opuestas. Las obras de Diego Rivera y Frida Kahlo y sus vidas multifacéticas ofrecen a cada estudiante un tema fértil y fascinante para examinar documentos de fuente primaria y conducir investigaciones independientes.

Unidad 7F

Colección acerca de La fiebre del oro

Cada estudiante elige entre una extensa colección de fuentes primarias y secundarias para aprender acerca de la amplia diversidad de personas que participaron en La fiebre del oro de California.

Unidad 7G

Escribir un cuento: nivel intermedio

En esta unidad cada estudiante puede poner en práctica sus destrezas de escritura creativa para aprender elementos de narración y desarrollo de personajes, y la importancia del lenguaje vívido.

Unidad 7

Gramática

En esta unidad cada estudiante completa instrucciones para seguir un aprendizaje autoguiado que el maestro o la maestra le asignará durante el año. Las sub unidades están organizadas por temas clave de gramática, de manera de que el maestro o la maestra pueda asignar el contenido que mejor se acomoda a las necesidades de sus estudiantes mientras se asegura de que trabajen con temas clave de gramática apropiados para su grado.

Unidad 8A

Perspectivas y narrativa
Esta unidad procura enseñar a cada estudiante a leer como un escritor o una escritora. Así, pone en práctica la destreza de prestar atención al oficio de la escritura: las decisiones que toma un buen escritor o escritora para darle forma a nuestra percepción de una escena o a nuestros sentimientos hacia un personaje, y para despertar nuestras emociones, sorprendernos o dejarnos pensando en lo que podría suceder después. Cada estudiante lee atentamente ejemplos de narrativas de no ficción, analiza las técnicas que usa cada autor para que sus textos evoquen emociones y practica la aplicación de estas técnicas en sus propios textos narrativos.

Unidad 8B

Libertad e igualdad
Analizamos las palabras de varios creadores —desde el poeta Walt Whitman hasta el abolicionista Frederick Douglass y el presidente Abraham Lincoln— para descubrir cómo sus escritos y obras contribuyeron a los cambios extremos de la organización social: un concepto totalmente nuevo de lo que significaba considerar a las personas “iguales”.

Unidad 8C

Ciencias y ciencia ficción
Cada estudiante leerá la obra Frankenstein de Gris Grimly, una novela gráfica que integra ilustraciones cautivantes en una versión abreviada de la edición de 1818 del libro de Mary Shelley. Combinadas con el texto de Shelley, las inquietantes —y a veces espeluznantes— representaciones de la criatura de Frankenstein diseñadas por Grimly impulsan a cada estudiante a contemplar algunos de los temas centrales del texto: el origen de la humanidad y la raíz del mal. Luego escribe un ensayo, en el cual, después de argumentar a favor de ambos lados de la cuestión, determina si en última instancia la criatura de Frankenstein debería considerarse humana.

Unidad 8D

Romeo y Julieta, de Shakespeare
Romeo y Julieta combina romance y acción, ofreciendo una amplia gama de temas y escenas que cada estudiante puede leer y representar actuando. Cada estudiante de nivel intermedio tiene la edad adecuada para identificarse con los sentimientos intensos de los amantes, y ha alcanzado la madurez suficiente como para analizar de forma crítica las decisiones que toman Romeo y Julieta.

Unidad 8E

El Holocausto: memoria y significado
Esta unidad usa una variedad de artículos, imágenes y videos de primera fuente, así como textos de no ficción literaria y no ficción gráfica, para estudiar los sucesos que hicieron posibles las atrocidades del Holocausto. Cada estudiante investiga cómo se generó y se empleó la propaganda para crear un ambiente político que llegó a corromper a toda una sociedad. Las Olimpiadas se observan a través de la lente de una campaña de propaganda internacional, al amparo de la cual los nazis comenzaron a eliminar de su cultura a las personas que no eran de lo que consideraban «raza aria». La sub unidad final examina los resultados de la doctrina nazi y su impacto en las víctimas y sobrevivientes judíos.

Unidad 8F

Colección acerca de La carrera espacial
Cada estudiante usa internet para poner a prueba sus destrezas de investigación y lectura atenta, y distingue entre fuentes fiables y fuentes no fiables.

En esta colección los estudiantes exploran documentos primarios y llevan a cabo investigación independiente para comprender mejor esta carrera espacial entre los dos superpoderes del planeta. La dramática historia de la carrera espacial ofrece a cada estudiante un generoso tema de investigación para explorar, mientras desarrollan destrezas de lectoescritura informativa, y aprenden cómo elaborar sus propias preguntas de investigación y exploran Internet en busca de respuestas.

Unidad 8

Gramática

En esta unidad cada estudiante completan instrucciones para seguir un aprendizaje autoguiado que el maestro o la maestra le asignará durante el año. Las sub unidades están organizadas por temas clave de gramática, de manera de que el maestro o la maestra pueda asignar el contenido que mejor se acomoda a las necesidades de sus estudiantes mientras se aseguran de que trabajen con temas clave de gramática apropiados para su grado.

Unidad 8G

Escribir un cuento: nivel avanzado

En esta unidad cada estudiante pueden poner en práctica sus destrezas de escritura creativa, para aprender elementos de narración y desarrollo de personajes. También aprende la importancia del lenguaje vívido para enganchar a sus lectores y atraerles al cuento.

Actividades adicionales

Quests:

Es posible que observe que su estudiante trabaja con sus compañeros en el mismo proyecto interactivo durante varios días, tratando de resolver un misterio o explicar un evento histórico. Eso es lo que sucede cuando un maestro asigna una misión: una exploración en profundidad de una semana de duración que requiere colaboración y profundiza el compromiso con textos y temas.

Aplicación de vocabulario:

La aplicación Vocab ayuda a los estudiantes a dominar el vocabulario a través de actividades similares a juegos que los desafían a pensar en morfología, analogías y sinónimos/antónimos, y a descifrar el significado a través del contexto.

Contacte con nosotros

¡Estamos aquí para ayudarle!

¿Tiene alguna pregunta sobre Amplify ELA?

Visite nuestra biblioteca de ayuda (en inglés) para buscar artículos con respuestas a sus preguntas sobre el programa.

Para obtener apoyo curricular adicional, comuníquese con el maestro de su estudiante.

Welcome, Amplify ELA families!

We’re excited to welcome you and your student to the Amplify ELA program for the new school year, and to provide you with exceptional learning opportunities through ELA. We’ve assembled the following resources and guides to help you support your student and enable them to have the most productive experience with our platform throughout the year.

Para la versión en español, haga clic aquí.

Illustrated collage with people playing sports, riding bikes, and a thoughtful person’s portrait, framed by natural elements and a rocket launching, next to an "EdReports Review Year 2020" badge.

What is Amplify ELA?

Amplify ELA helps students in grades 6–8 read and understand complex texts that encourage them to grapple with interesting ideas and find relevance for themselves. Amplify ELA is a blended program that includes both digital and print materials, but can also be used as a print-only version. Students using Amplify ELA read text passages closely, interpret what they find, discuss their thinking with peers, and develop their ideas in writing. The lesson structure is easy to follow, but flexible enough to allow for a variety of learning experiences and varied enough to keep students engaged. 

Features include:

  • Functionality that allows individual students to work at their own level while also being challenged appropriately.
  • Built-in tools that allow teachers to track and respond to student work.
  • The digital Amplify Library, which contains more than 700 downloadable, full-length fiction and nonfiction books.
  • The Vocab App, which uses game-like activities to help students master keywords from the program’s texts. (Students using print materials will see keywords highlighted.)
  • Independent writing assignments called Solos, available on mobile devices.
  • Interactive projects called Quests that accompany certain units to provide additional practice with analytical reading, writing, speaking, and listening skills.

Getting started

How you can support the child in your care:

  • If possible, read with your student daily; even 15 minutes of reading together each day can make a huge impact. You can read aloud sections of the text together—many middle grade students enjoy performing sections of dialogue by taking on the role of a character in a play, or adding some dramatic flair to a poem with which they are working. If your student struggles with reading aloud, you might try reading the text to them with expression, then having them read it back to you. For additional practice, there are an array of fluency activities in the program’s Flex Days. Ask your student to help you find these activities.
  • Find moments to discuss what they are reading and discovering. Examples of questions you could ask: What stood out to you from what you read today? Were any sentences or words confusing? What was most surprising? What do you think the writer was trying to communicate? Do you agree with the writer’s ideas or descriptions? What connections can you make between what you are reading and your own life, or other issues you’ve heard about?
  • Listen to your student read their written responses or have them share with a friend over the phone or video chat. 
  • Browse the Amplify Library with your student to find books they’ll enjoy and be able to read fluently and independently.
  • Review this Protecting Kids Online website by the Federal Trade Commission addressing digital safety.

Accessing texts in the Amplify Library

We encourage students to utilize the core texts from the Amplify Library while at home! Please follow these steps to download a text for offline reading:

1. Navigate to the Program & Apps menu at the top of your screen and scroll through to find the Amplify Library icon. When you select it, the Amplify Library will open in a new tab.

A digital menu displays various educational tools and resources, with "Amplify ELA" highlighted at the top and the "Library" option outlined in orange.

2. If prompted, follow the directions to set up a pin for the Amplify Library; otherwise, proceed to the next step.

A pop-up window prompts the user to create a four-character PIN of lowercase letters and/or numbers for offline reading, with Cancel and Submit buttons.

3. In the upper right corner of your screen, search for the book you would like to download. Example: The Secret of the Yellow Death: A True Story of Medical Sleuthing.

A digital library search page displays "yellow death" in the search bar with no results found for title, authors, or genre. Book covers are visible in the left sidebar.

4. Select the Download button.

A digital library interface displays the book "The Secret of the Yellow Death" by Suzanne Jurmain, showing its cover, synopsis, and options to read or download.

5.  If you lose connection while still in the Amplify Library, you can continue to access and read the downloaded book(s). If the page refreshes without internet access, or you try to login on another device without internet access, you will lose access to the downloaded book(s) until the internet connection is restored. 

To retrieve your downloaded texts: 

  1.  In the Amplify Library app, open the My Library drop-down menu in the upper left corner.
  2. Select Downloaded. 
  3. Choose the text you wish to read from all of your pre-downloaded texts.
A dropdown menu under "My Library" shows options: Recently Read, Favorites, Downloaded (highlighted), and All Books. Below, a Recently Read section displays three book covers.

Materials overview

Not every school will operate the same way, but students attending schools that have both the print and digital editions of the program will likely have the following print materials at home:

  • Student Edition: This includes all of the readings and activities necessary for instruction throughout the year. Students can read the selections both digitally and in print, annotating in either format. The lessons in the print Student Edition reflect each digital lesson, but have been modified to work effectively in print. 
  • Writing Journals: This provides space for students to respond to Writing Prompts and complete other written assignments. 

In the case that students are without access to devices or the internet, they can continue to complete key reading and writing assignments using the print Student Editions and student Writing Journals.

Teachers can also access, print, and mail student Novel Guides for up to 12 commonly taught novels. Six of these novels are available in the Amplify Library, and most should be available in a public library.

Unit overviews

Below are quick overviews of each unit your student will be working through in their grade throughout the year. Included along with each unit is a downloadable guide that provides a more in-depth look at what content is covered and how you can help your student advance their understanding of the topics.

  • Unit 6A: Dahl & Narrative  
    • Students begin with narrative writing to quickly boost their writing production, learn the foundational skill of focus, and become comfortable with key classroom habits and routines they will use all year. Students then apply their new observational focus to some lively readings from Roald Dahl’s memoir Boy and learn how to work closely with textual evidence.
  • Unit 6B: Mysteries & Investigations
    • Students read like an investigator to embark on a multi-genre study of the mesmerizing world of scientific and investigative sleuthing. At the end of the unit, students write an essay explaining which trait is most useful to problem-solving investigators.
  • Unit 6C: The Chocolate Collection
    • The Aztecs used it as currency. Robert Falcon Scott took it to the Antarctic. The Nazis made it into a bomb designed to kill Churchill. The 3,700-year-long history of chocolate is full of twists and turns, making it a rich and rewarding research topic. In this unit, students explore primary source documents and conduct independent research to better understand the strange and wonderful range of roles that chocolate has played for centuries around the world.
  • Unit 6D: The Greeks
    • Greek myths help us understand not only ancient Greek culture but also the world around us and our role in it. Drawing on the routines and skills established in previous units, these lessons ask students to move from considering the state of a single person—themselves or a character—to contemplating broader questions concerning the role people play in the world and the communities they inhabit within it.
  • Unit 6E: Summer of Mariposas
    • The borderlands between the United States and Mexico are the place of legends, both true and fictional. Summer of the Mariposas, by Guadalupe Garcia McCall, plants a retelling of the Odyssey into this setting, launching five sisters on an adventure into a world of heroes and evildoers derived from Aztec myths and Latinx legends. On the journey, the sisters reconcile the dissolution of their parent’s marriage and find new strength in their identity and connection to Aztec lineage. Students consider how McCall uses the structure of the hero’s journey to celebrate women, heritage, and a broad definition of family. Students also have the opportunity to compare these characters’ fictional journey into Mexico to a description of one boy’s true journey into the United States.
  • Unit 6F: The Titanic Collection 
    • In this research unit, students learn to tell the difference between primary, secondary, and tertiary sources; determine if a given source is reliable; and understand the ethical uses of information. Students then construct their own research questions and explore the internet for answers. They also take on the role of a passenger from the Titanic’s manifest to consider gender and class issues as they research and write narrative accounts from the point of view of their passenger.  
  • Unit 6G: Beginning Story Writing
    • In this unit, students get to practice their creative writing skills and learn the elements of storytelling and character development, as well as the importance of vivid language. Students gain a sense of ownership over their writing as they experiment with the impact of their authorial choices on sentences, language, character traits, and plot twists.
  • Grade 6: Grammar
    • In this unit, students complete self-guided grammar instruction and practice that teachers assign to them throughout the year. Sub-units are organized by key grammar topics, so teachers can assign the content that best meets their student’s needs while making sure students work with the key grammar topics for their grades.
  • Unit 7A: Red Scarf Girl & Narrative
    • In this study of a highly engaging memoir of a young woman growing up in China during the Cultural Revolution, students quickly learn the history and politics of this tumultuous period by focusing on the story of someone living through the upheaval. As students follow her journey through a world turned upside down, they will track the changes in her feelings and motivations over time.
  • Unit 7B: Character & Conflict
    • By reading the play A Raisin in the Sun and the short story “Sucker,” students explore how people facing hardships can inflict unintentional harm on the people around them. The two narratives work together to provide opportunities for students to analyze characters’ responses to conflict and the author’s development of ideas over the course of a piece of fiction.
  • Unit 7C: Brain Science
    • Could you survive an iron rod through your skull? Phineas Gage did, and his gruesome-but-true story allows students to build background information and analyze other informational texts, including the contemporary The Man Who Mistook His Wife For A Hat and the relevant Demystifying the Adolescent Brain.
  • Unit 7D: Poetry & Poe
    • Poe’s texts always offer so much to notice, decipher, talk about—and creep us out. Since things are not always what they seem, students must use close reading skills to question whether they should believe what Poe’s narrator is telling them … or not.
  • Unit 7E: The Frida & Diego Collection
    • Mexico’s most famous and provocative artists, Diego Rivera and Frida Kahlo, were an extraordinary couple who lived in extraordinary times. They were both soul mates and complete opposites. Their multifaceted lives and work offer students rich and fascinating subjects to study as they examine primary source documents and conduct independent research.
  • Unit 7F: The Gold Rush Collection
    • In this research unit, students choose from a large collection of primary and secondary sources to learn about the wide range of people who took part in the California Gold Rush. They also take on the role of someone who lived during the gold rush and write journal entries from their perspective.
  • Unit 7G: Intermediate Story Writing
    • In this unit, students get to practice their creative writing skills and learn the elements of storytelling and character development, as well as the importance of vivid language. Students gain a sense of ownership over their writing as they experiment with the impact of their authorial choices on sentences, language, character traits, and plot twists.
  • Grade 7: Grammar
    • In this unit, students complete self-guided grammar instruction and practice that teachers assign to them throughout the year. Sub-units are organized by key grammar topics, so teachers can assign the content that best meets their student’s needs while making sure students work with the key grammar topics for their grades.
  • Unit 8A: Perspectives & Narrative
    • This unit aims to teach students to read like writersThey practice paying attention to the craft of writing and to the moves a good writer makes to shape the way we see a scene or feel about a character—to stir us up, surprise us, or leave us wondering what will happen next. Students closely read examples of rich, layered narrative nonfiction, analyze the techniques each author uses to make their writing resonate, and practice applying these techniques to their own narrative writing.
  • Unit 8B: Liberty & Equality
    • In this unit, students look at the words of a range of creators—from poet Walt Whitman to abolitionist Frederick Douglass to President Abraham Lincoln—to see how their writing contributed to an extreme shift in social organization: a whole new concept of what it means for people to be considered “equal.” They also study multiple perspectives on the Civil War, including the memoir of a girl who was enslaved, a confederate girl’s diary, and a nonfiction account of the young boys who served as soldiers during the war. 
  • Unit 8C: Science & Science Fiction
    • Students read Gris Grimly’s Frankenstein, a graphic novel that adds captivating illustrations to an abridgment of the 1818 edition of Mary Shelley’s book. Paired with Shelley’s text, Grimly’s haunting—and, at times, horrific—representations of Frankenstein’s creature push students to wrestle with some of the text’s central themes: the source of humanity and the root of evil. Students then write an essay in which, after arguing both sides of the question, they determine whether or not Frankenstein’s creature should ultimately be considered human.
  • Unit 8D: Shakespeare’s Romeo & Juliet
    • Romeo and Juliet combines romance with action, offering a wide range of themes and scenes for students to read about and act out. Your middle schoolers are at the right age to identify with the lovers’ strong feelings—and also old enough to think critically about the choices Romeo and Juliet make.
  • Unit 8E: Holocaust: Memory & Meaning
    • This unit uses a range of primary source articles, images, and videos, as well as literary nonfiction and graphic nonfiction, to study what made the atrocities of the Holocaust possible. Students investigate how propaganda was generated and employed to create a political environment that ultimately corrupted a society. The Olympics are seen through the lens of an international propaganda campaign, providing cover for Nazis to begin eliminating non-Aryans from their culture. The final sub-unit examines the outcomes of Nazi doctrine and the impact on Jewish victims and survivors.
  • Unit 8F: The Space Race Collection
    • In this unit, students to put their research and close-reading skills to the test to distinguish between reliable  and unreliable sources, explore primary documents, and conduct independent research to better understand the space race that took place between two of the world’s superpowers. This dramatic story offers students a rich research topic to explore as they build information literacy skills, learn how to construct their own research questions, and explore the internet for answers.
  • Grade 8: Grammar
    • In this unit, students complete self-guided grammar instruction and practice that teachers assign to them throughout the year. Sub-units are organized by key grammar topics, so teachers can assign the content that best meets their student’s needs while making sure students work with the key grammar topics for their grades.
  • Unit 8G: Advanced Story Writing
    • In this unit, students get to practice their creative writing skills. They’ll learn the elements of storytelling and character development, and the power of vivid language to grab readers and pull them into a story.

Additional activities

Quests: 

You may notice your student working with peers on the same interactive project over several days, trying to solve a mystery or explain a historical event. That’s what happens when a teacher assigns a Quest: an in-depth week-long exploration that requires collaboration and deepens engagement with texts and topics.

Vocab App:

The Vocab App helps students master vocabulary words through game-like activities that challenge them to think through morphology, analogy, and synonyms/antonyms, and to decipher meaning through context.

Have a question about Amplify ELA?

Visit our help library to search for articles with answers to your program questions. 

For additional curriculum support, please contact your student’s teacher.

Get to know Amplify ELA

Start by taking a look at the Amplify ELA Program Guide, where you’ll find:

  • Grade-level overviews for grades 6–8 (pages 11–31)
  • Amplify ELA pedagogy (page 10)
  • Sample lesson routine (page 38)
  • Amplify ELA foundations (pp 70-80)

Want to go deeper or look at Amplify ELA’s approach to writing, vocabulary, grammar, and differentiation? Check out the Table of Contents for all this and much more! 

Navigating the curriculum

Amplify ELA is a truly blended curriculum, designed specifically for grades 6–8. The program includes instructional guidance and student materials for a year of instruction, with lessons and activities that keep students engaged every day. Materials can be accessed either digitally or through print materials, depending on what your class needs.

Navigating in print

  1. Watch this video exploring the print resources available for students and teachers in Amplify ELA.
  2. Follow this link to open an ebook version of the print materials for your grade level and explore Unit A (the first unit).

Navigating digital

  1. Watch this video exploring the digital curriculum platform and the many resources available for teachers and students.
  2. Log in to the curriculum at learning.amplify.com using the demo account and password provided by your Sales rep.
  3. Once you have finished the tour, try out the scavenger hunt below!

Amplify ELA Scavenger Hunt

Inside a lesson

1. Overview & planning

Screenshot of an educational webpage for "Lesson 2: Your Movie Crew" on Amplify ELA, showing lesson navigation, overview, and a stylized illustration of a masked figure.

The Lesson Brief equips teachers with the tools they need to plan instruction. It begins with an Overview, which describes the big ideas students will grapple with and summarizes the lesson’s sequence of activities. Next, there is a Preparation section, which points out key moments and materials to prepare. The Preparation section also describes the location and content of the lesson’s Exit Ticket.

The Lesson Brief also includes: the Lesson Objective, which details the reading, writing, and/or speaking and listening objectives; Words to Use, which points out key vocabulary from the reading; Skills & Standards, which lists the focus and coverage standards; and Differentiation, which describes differentiated supports and provides additional suggestions for modifying activities.

2. Vocab App

The Vocab App helps students master vocabulary words through game-like activities based on morphology, analogy, synonyms/ antonyms, and deciphering meaning. These activities help students develop dictionary skills by focusing on parts of speech, etymology, and multiple meanings. There are also activities for ELL-appropriate words from the unit’s texts, asking students to match an English definition, Spanish translation, context sentence, audio pronunciation, and visual definition. These activities also align to vocabulary standards.

Vocab App (Teacher View)

3. Work Visually

Visualization activities are an essential part of Amplify ELA, as they open the door to more comprehensive understanding of complex texts. In these learning experiences, students break apart the text in visual ways or use visual cues to “see” key details as they construct meaning.

In this early lesson from grade 7, students unpack propaganda images and short videos from the Chinese Cultural Revolution to build their understanding of the setting before beginning the memoir Red Scarf Girl.

Other units include visualization activities such as using an app to “see” the evidence for and against scientific theories, making storyboards and planning visual adaptations of texts to “read like a movie director,” and comparing and contrasting illustrations with key textual moments.

4. Author Videos & Dramatic Readings

Students benefit from using listening comprehension skills as they build fluency with complex texts. In these close reading experiences, students listen to the text, perform the text out loud, or watch a dramatic reading of the text.

In this lesson, students listen and watch as author Ji-Li Jiang reads the opening prologue of her memoir, Red Scarf Girl. Her facial expressions, tone of voice, and emphasis help students develop early ideas about what matters to this narrator.

Additional author videos and dramatic readings are embedded in other units. In Unit 8D: Shakespeare’s Romeo & Juliet, students watch WordPlay Shakespeare videos where actors perform each selected scene next to the text of that excerpt. In Unit 8B: Liberty & Equality, two members of the Marvel cinematic universe—Chadwick Boseman and Elizabeth Olsen—offer masterful performances of Narrative of the Life of Frederick Douglass, an American Slave and A Confederate Girl’s Diary.

5. Reading/eReader

Reading standards establish high expectations for all students, even as they enter the middle grades at a variety of reading levels. In Amplify ELA lessons, students access universal supports embedded in the eReader (and built into the print versions of the text) to help them participate fully in grade-level activities.

Point-of-use vocab in print: The print Student Edition places key vocabulary words and their relevant definitions in the text margin to support students and keep them reading.

Reveal: By clicking on these pre-selected words, students access short contextual definitions for key and challenging vocabulary.

Highlight, Bookmark, and Notes: The digital highlighting, bookmarking, and annotation tools allow students to save and review any text notes from any lesson.

Text size and line spacing: Students can adjust text size and line spacing to find what works best for them

6. Writing

Two or three times a week, students complete their reading work by developing a piece of writing to refine their reading analysis. They write for 10–15 minutes, focusing on one claim in response to a prompt, and using evidence from the text in support of their claim.

In this lesson, students build on their discussion of the setting and their analysis of the passage to determine the author’s point of view at the start of her memoir.

Differentiated supports: Five levels of differentiated supports can be assigned in the moment or in advance to help every student work productively. Levels can be assigned ahead of time (by simply dragging and dropping students into groups) and students remain in their assigned levels until they’re changed by the teacher. For more information on differentiation in Amplify ELA, click here.

Automated Writing Evaluation: The Automated Writing Evaluation (AWE) tool has been developed in conjunction with Amplify’s regular writing activities, which ask students to use textual evidence to develop one focused idea or claim about the text and communicate that idea clearly and effectively to an audience. AWE is a tool designed to help teachers understand, track, and support student skill progress with these key foundational skills, which are a strong indicator of a student’s analytic writing proficiency. AWE provides auto scores for Focus and Conventions, allowing teachers to prioritize their assessment of a student’s progress with Use of Evidence, a skill that is relatively new for many middle-grade students.

7. Share

Establishing a supportive writing community in the classroom helps students develop their voices as writers. Each writing activity is coupled with a sharing session, where clear routines and student-facing feedback protocols support students as they share and respond to each other’s writing. Here, students try out their writing with an audience of their peers to figure out how to express their ideas in a clear and convincing way. In addition, these sharing sessions allow students to learn from the range of perspectives in the classroom.

Clear and consistent Response Starters ensure that students provide feedback that targets key skills and focuses on where a student is using a skill effectively, fostering an effective and supportive feedback environment.

8. Solos

Solos are an important part of the ELA curriculum, and are designed to be completed as homework—but not every student has a computer at home. However, most students DO have access to a mobile device. The new Mobile Solos give every student access to this part of the curriculum, protecting valuable classroom time for lessons and group activities.

Navigating the first unit

Dig into Unit A

It’s time to continue your journey by exploring the first unit!

  1. Choose a 6th-, 7th-, or 8th-grade Unit A.
  2. Find the Print Materials for your grade level’s Unit A and review the unit overview. (password: middle678school)
  3. Log in to the curriculum and navigate to your chosen unit.
  • Scroll down to the unit guide. Open each section and read it.
  • Read the background and context document in the Materials section.
  • Go to Sub-unit 3 and read the Sub-unit Overview.
  • Choose two lessons to explore further.
  • Open the first lesson and read the Lesson Overview. Be sure to open and read each section in the Lesson Overview.
    • Open each activity tab and read the teacher Instructional Guide. Familiarize yourself with the entire lesson and note where students are building reading and writing skills
    • Repeat with the second lesson.

Diving Deeper

Check out Amplify ELA’s professional learning website, featuring self-guided training modules and videos to help you with planning and pacing, navigation, and learning key curriculum features. 

You can log in using your Amplify credentials or the demo account and password provided by your sales rep.  

Additional support

As you continue to explore the curriculum, you may also want to take a look at the Amplify ELA Resources Website, which is full of additional information on the program. If you have any questions, please contact us through the Amplify Help section.

And you’ll find even more information by watching this session from our Literacy Symposium, in which Sarah Kitzmiller from the Niswonger Foundation and Teddy Redding from Amplify discuss some of the challenges of the 2020–21 school year. 

Amplify’s Literacy Symposium session: Focusing on the Fundamentals to Start the Year Right

You may choose to view other sessions from the Literacy Symposium as well, all accessible from the schedule menu in the top left corner. 

This webinar also offers valuable insight, with Baltimore City middle school ELA teacher Lucas Drerup describing his experiences with Amplify ELA and discussing how he brings middle school ELA to life, even in a remote teaching setting. 

How to bring middle school ELA to life: A teacher’s perspective

Support

S3-04: Using AI and ChatGPT in the science classroom

A graphic with the text "Science Connections" and "Amplify" features colorful circles and curved lines on a dark gray background.

In the latest episode of the Science Connections podcast, we explore AI in education and its impact on students. Listen as I sit down with teachers Donnie Piercey and Jennifer Roberts to discuss ChatGPT and how we can use it to build science and literacy skills in K–12 classrooms while preparing students for the real world.

And don’t forget to grab your Science Connections study guide to track your learning and find additional resources!

We hope you enjoy this episode and explore more from Science Connections by visiting our main page!

DOWNLOAD TRANSCRIPT

Jennifer Roberts (00:00:00):

If a kid graduates from school without knowing that AI exists, they’re not gonna be prepared for what they face out in the world.

Eric Cross (00:00:07):

Welcome to Science Connections. I’m your host, Eric Cross.

Eric Cross (00:00:12):

This season of the podcast, we’re making the case for everyone’s favorite underdog, science. Recently we’ve been highlighting the magic that can come from integrating science and literacy. So if you haven’t checked out those recent episodes, definitely go back in your feed after you’re done with this one. This time around, we’re going to deep dive into what artificial intelligence means for literacy instruction, and how science can be a force for good, in responsibly exposing students to AI. To help me out, I’m joined by two extremely accomplished educators. Jen Roberts, a veteran high-school English teacher from San Diego, who among many things runs the website LitAndTech.com. And I’m also joined by fifth-grade teacher Donnie Piercey. In addition to being Kentucky’s 2021 Teacher of the Year, Donnie also has an upcoming book about bringing AI into the classroom. Whether you’ve never heard of ChatGPT or whether you’re already using it every day, I think you’ll find this a valuable discussion about the intersection of science, English, and technology. Here’s Jen and Donnie.

Eric Cross (00:01:17):

So first off, welcome to the show. It’s good to see you all. What I wanna do is kind of start off by introducing both of you. And so we’ll just go K–12. So <laugh>, Donnie.

Jennifer Roberts (00:01:30):

Donnie goes first.

Eric Cross (00:01:31):

Donnie’s gonna go first. Donnie out in Kentucky. Just a little background. What do you teach; how long you’ve been in the classroom; and what are you having fun with right now?

Donnie Piercey (00:01:38):

Yeah, so my name is Donnie Piercey. I’m a fifth-grade teacher from Kentucky. Live and teach right here in Lexington, Kentucky, right in the center of the state. I’m the 2021 Kentucky Teacher of the Year. But I’ve been teaching elementary school for the past … I think this is year 16 or 17. It’s long enough where I’ve lost count, and I can’t even count on fingers anymore. My friends like to joke that I’ve taught long enough where now I can count down. You know, it’s like, “All right, only so many more years left.” But yeah, teach all subjects. Science definitely is one of the subjects that I don’t just try to squeeze into my day, but make sure that … it’s not even a devoted subject, but one that I definitely try to — don’t just have that set time, but also try to do some cross-curricular stuff with it. So definitely the rise of AI in these past few months, which feels like years by this point, has definitely played quite the role, in not just changing the way that I’ve been teaching science, but really all my subjects. So, excited to chat with y’all about it.

Eric Cross (00:02:47):

Nice. I’m excited that you’re here. And Jen?

Jennifer Roberts (00:02:51):

Hi, I’m Jen Roberts. I teach ninth-grade English at Point Loma High School, and that’s where I usually stop when I introduce myself. But for your sake—

Eric Cross (00:03:00):

I will keep introducing you if you stop there. <laugh>

Jennifer Roberts (00:03:04):

I am nationally board-certified in English Language Arts for early adolescence. I am the co-author of a book called Power Up: Making the Shift to 1:1 Teaching and Learning, from Stenhouse, with my fabulous co-author Diana Neebe. Shout out to Diana. I blog at LitAndTech.com about teaching and technology and literacy and the intersection of those things. And I’m looking forward to talking about how AI is showing up in my classroom and the fun things I’m doing with it.

Donnie Piercey (00:03:31):

And one of us is actually secretly a robot, and you have to guess which one.

Jennifer Roberts (00:03:35):

Have to guess which one. Yes. <laugh>

Eric Cross (00:03:37):

That would be super-meta. And you were the CUE — Computer-Using Educator — outstanding teacher or educator? Whatever. Either one. Of the year.

Jennifer Roberts (00:03:45):

I was the CUE ’22 Outstanding Educator. Yes. And I’ve won a few other things as well.

Eric Cross (00:03:53):

The gaming backpack.

Jennifer Roberts (00:03:54):

I’ve won a gaming backpack recently! Yes. I once won an iPad in a Twitter chat.

Eric Cross (00:03:58):

What?

Donnie Piercey (00:03:58):

What’s a gaming backpack? Hold on. We need to talk about that.

Jennifer Roberts (00:04:01):

We will talk about that. <laugh> And then, I was once a finalist for county Teacher of the Year. That’s as close as I got to Donnie. Donnie was the Kentucky Teacher of the Year. He got to go to the White House and stuff. That was exciting.

Donnie Piercey (00:04:13):

<laugh> I mean, to be fair, there’s only three million people in Kentucky, and about what, 50 million people that live in California? <Laugh> So odds are definitely stacked in my favor, I think.

Jennifer Roberts (00:04:23):

So you’re saying we’re even there? Is that, is that what you’re going for?

Donnie Piercey (00:04:25):

Yeah, evens out. Evens out.

Eric Cross (00:04:27):

So I’ve been looking forward to talking to you both for a while now, and talking about artificial intelligence. It’s like the big thing. And both of you, at different ends of the spectrum and in my life, have contributed to this. Donnie, you’ve been sharing so much great information online about how you’re using AI in elementary. Jen, you are the reason I got into education technology years ago, right when I was becoming a teacher. And so being able to talk with you both about it excites me a lot. So first off, for the listeners who may not have any experience with it — and there’s still a lot of people out there who have not been exposed to it, haven’t got their feet wet with it yet — I’m hoping we could start off maybe with an explanation of … we could do AI, ChatGPT, I know that’s the big one. But simply explaining what it is, just for the new person. And whoever wants to start off can tell us about it. Or maybe we’ll start … we’ll, let’s actually, let’s do this: Let’s continue going like K–12? So Donnie, maybe you could … what’s your pitch to the new person of, “Hey, this is what it is”?

Donnie Piercey (00:05:31):

All right. So, AI, artificial intelligence, probably the way that most people are exposed to it, at least since November when it launched, is through ChatGPT. Where if you Google it, you know it’s made by a company called OpenAI. The best way to describe what it is … when you go there for the first time, make an account, it’s free. You have like a little search window, looks like a Google search bar. And instead of searching for information, you can ask it to create stuff for you. So for example, like on Google search, you might type in a question like, “Who was the 19th president of the United States?” Where on ChatGPT, instead of just searching for information, it creates stuff for you. So you could say, you could ask it to, “Hey, write a poem about the 19th president of the United States.” Or, “Write a short little essay comparing, I don’t know, Frederick Douglass to Martin Luther King Jr.” And it would do that for you. You know, that’s most people’s first exposure to AI, at least in these past few months. Instead of … you know, it’s artificial intelligence, but it’s not just chatbots. There’s lots of other AI that exist out there.

Jennifer Roberts (00:06:47):

And I think that’s the thing: that people don’t realize how much AI is already in their lives.

Donnie Piercey (00:06:51):

For sure. Yeah.

Jennifer Roberts (00:06:52):

You know, they just haven’t seen … the term that I see being used a lot now is “generative AI.” AI that can produce something. It can produce writing, it can produce art, it can produce a script, it can produce a character. But the AI that has been helping you pick what to watch next on Netflix and the AI that’s helping Google help you get where you wanna go on Google Maps faster, those are forms of artificial intelligence as well.

Donnie Piercey (00:07:21):

Yeah. I mean, even those, when you get that that message in Gmail, and instead of having to type out that response that says, “Yeah, that sounds great,” you can just click the little button that says, “Yeah, that sounds great.” I mean, that’s been in Gmail for years, but that’s artificial intelligence too.

Eric Cross (00:07:39):

Absolutely. So why is it important, do you think, for educators to, to be familiar with it? Like, why are we all so excited about it?

Jennifer Roberts (00:07:47):

So, educators need to know what kids are into, and kids are obviously into ChatGPT. And anyone who’s an educator right now has probably already had something cross their desk — or more likely their computer screen — that was written by AI and passed off as a student’s own work. And that is, of course, the great fear among teachers everywhere, that this is what kids are just gonna do these days and they won’t be able to catch it and children won’t be doing their own work and this and this. But I think the big reason teachers need to know what’s going on is because teachers need to be futurists. Our clientele will live in the future. We teach kids, kids will become adults, adults will live in the world. And so if we’re not thinking about and trying to predict on some level what’s gonna happen 5, 10, 15 years from now … we might be wrong, but what if we’re right?

Jennifer Roberts (00:08:38):

And if we’re not at least trying to think about what is their future world gonna look like, then we’re not serving our students well. I did a whole night talk on that. So I think ChatGPT is part of that. I teach seniors. I had this moment of realization I felt a few months ago. I’m like, “This is gonna be the world they graduate into. They need to know what this is before they leave me.” If I don’t teach them how to use this well, and not the way they’re using it — which is to copy and paste the teacher’s assignment and drop it into ChatGPT and take whatever it spits out and turning that in without even looking at it — if I don’t teach ’em how to use it critically, if I don’t teach them how to write effective prompts, if I don’t teach them how to use the AI as a tool, as a collaborator, then they’re gonna graduate into a world where they lose out to people who do know how to do that. And I think the advantage goes to kids who have access and knowledge of what’s in front of them and what’s available, and can use all of the tools at their disposal. Because when you’re writing in school and you write with a collaborator, that could be considered cheating. But when you do that out in the adult world, that’s considered doing a good job. <Laugh> Being a team player. <Laugh> You know, adults don’t work alone for the most part. And adults are expected to churn out beautiful, perfect content no matter how they got there. So if I’m not teaching my kids how to use this, they’re not being ready. They’re not gonna be ready to be the adults that I want them to be.

Donnie Piercey (00:10:07):

A hundred percent agree. And I also believe … as you know, I teach elementary school. I also don’t think anybody is saying that on the first day of kindergarten, you hand a kid a Chromebook and load up an AI chatbot or ChatGPT and say, Hey, this thing’s gonna do all your work for you for the next 12 years; just coast through life. You don’t have to think creatively. You don’t have to learn how to develop a paragraph or learn how to write a speech or develop an idea. Like, I don’t think anybody’s saying that, because as an elementary school teacher, there’s many days when I’m like, “Y’all, we’re just putting the Chromebooks away today and we’re just gonna go old-school. We’re just gonna maybe just jot down five quick ideas and stand up and present those ideas to the class.”

Donnie Piercey (00:10:54):

Because while AI definitely will, like you were saying, Jen, play a significant role in the lives of our students who are, not just graduating, but the 10- and 11-year-olds in my classroom this year. A significant role in their lives. It’s also really important to recognize that we’re not saying that this means that “Hey, kids don’t have to work anymore.” They still have to put forth that effort. There’s still — one of the ways that you become a good writer is by trial and error. And sometimes that trial and error comes through talking to a teacher or talking like you were saying to a peer or collaborating with a peer and saying to them, “Well, this sentence here, this paragraph here, really doesn’t make sense.” And I do believe one of the ways — especially as AI starts to become more fine-tuned and starts to be embedded more and more in tools like Google Docs and Microsoft Word — is it’s almost going to be a tutor to students.

Donnie Piercey (00:11:56):

Mm-hmm. <affirmative> Where I could very easily see in a few years, or maybe a few months, who knows what Google or any of these other big companies has rolling out, where a student could highlight a paragraph that they wrote simply, and then say, “Hey, proofread this for me,” or “Check for coherence.” Or even just ask a simple question: “Does this paragraph make sense?” Because you can already do that. You can copy a paragraph over into a chatbot and say, “Hey, does this make sense?” You know, “Rate my idea from one to 10,” and it’ll do that for ’em.

Jennifer Roberts (00:12:26):

We did that last week <laugh>.

Donnie Piercey (00:12:28):

Yeah. Right. I mean, that’s the thing. That technology exists now. It’s just not totally embedded yet. But based on what I’ve read and what I’ve seen, that’s gonna happen sooner rather than later. And it’s really, really important that we teach our students that, “No, you’re not just gonna use this, this tool to cheat, but you can use this tool to help you become a more creative student.”

Jennifer Roberts (00:12:50):

This is the use case in my classroom. Can I talk about that? You ready for that?

Eric Cross (00:12:53):

Please.

Jennifer Roberts (00:12:54):

OK.

Eric Cross (00:12:54):

Please.

Jennifer Roberts (00:12:55):

So my ninth graders are writing a comparative analysis essay, where I took them to the student art gallery and I made them pick two pieces of completely unknown student art and take notes on it, so they could go back and write this essay. And as soon as we got back to class, I said, can ChatGPT write this for you? And they all kind of froze ’cause I didn’t tell them what ChatGPT was. And they weren’t sure if they were allowed to know or not. And finally one of them kind of bravely raised his hand and said, “No.” And I said, “Why not?” And he said, “Well, the AI hasn’t seen the art. How can it write an essay about art when the art is completely original that we just went and looked at?” I said, “It’s almost like I planned it that way, isn’t it?” And they laughed nervously. And then I said, “Does that mean it can’t help us with this assignment?” And they said, “Well, no — of course it can’t help us, because it has not seen the art.” And I said, “Well. …” And I open ChatGPT, and I typed in what they were trying to do: “I need to write a comparative analysis essay comparing two pieces of student art on these reasons. And I need to choose which one did it better, basically. Can you help me with an outline?” and ChatGPT produced a lovely outline. And I looked at that with my students and we looked at it together and I said, “This is what it gave us. Would this be helpful to you?” And they’re like, “Yeah, that would be helpful to us.” So we — to be clear here, I was the only one using ChatGPT in the room. They were not actually using it. We were using it together. I copied and pasted the outline that it gave us and put it in their learning management system where they could access it so they could use the outline that the robot provided, and then they could use that to make their own writing better. So then I let them write for a little while, and, after they’d written for a little while, I said, “Does anybody wanna let me share your first paragraph with ChatGPT and see what it thinks of how you’re doing?” And a brave student raised his hand and we took his paragraph and we put it in ChatGPT, and it spit back advice. We said, “This is what I have so far for my first paragraph. Do you have any advice for me?” And we gave it the writing, and the first piece of advice it gave back was very generic, you know, “Add a hook,” you know, like kind of thing. But after that, it started to get more specific about things he was actually doing in his writing. And it started to give him some feedback. And we looked at that together as a class. And I said, “Does any of that feedback help you?” And he said, “Oh yeah, absolutely. I’m gonna go add some revisions to my paragraph.” And other students did too. They looked at the feedback he got and used that to improve their writing. And so everybody went and revised. And I said, “Look, if you take what the robot gives you and you copy and paste it, and you turn it in as your own work, it’s gonna get flagged for plagiarism. And that’s not gonna go well. But if it gives you writing advice the same way I would give you writing advice, and you decide that advice is good, and you take that advice and you incorporate it into your own writing yourself, then the robot’s making you better, but you’re still the one doing your own writing.” And the writing they turned in from that assignment was, was better. It wasn’t written by ChatGPT; it was still about the student art that they found in the gallery. But I showed them a path. Like, it can help you with an outline, it can help you with feedback. Right? These are fair ways to use it that’s gonna make you better. And they really liked that. They really liked — no one had shown them that before. The idea that you don’t just take the teacher’s prompt and give it to it … like, these are new uses to students and worked well.

Eric Cross (00:16:17):

So right now, you both just laid out these ways that you’re using it. And I do this with people that I’m trying to introduce to ChatGPT or AI. ‘Cause I get excited. Anyone could write a 500-word persuasive essay on the use of color in The Great Gatsby or The Outsiders, and they can get something back within seconds. But for a lot of educators, it might feel like the sky is falling.

Donnie Piercey (00:16:43):

Oh, understandably! Understandably. I mean, that totally makes sense.

Eric Cross (00:16:49):

What would you say to them? Donnie, go ahead.

Donnie Piercey (00:16:51):

Yeah. Well, I feel like every teacher kind of goes through the same experience when they see like a generative chatbot. I mean, all these major companies are gonna start incorporating AI, the generative AI piece. And a lot of times, when they see it for the first time, two things. First they’ll say “Oh, but I’ll know that that’s not my students’ writing.” Which, frankly, I think is a good thing, because that tells me that the teachers know their students’ writing. They’ve seen them write in person. They’ve conferenced with them one-on-one. And if a student were to turn something in to me, who I know might be a struggling writer, maybe it’s not their strength, and all of a sudden they’re turning in this10-page dissertation-worthy thesis written at a PhD level, I’m like, “All right, man, you’re nine. Can we talk about where this came from?” <laugh> But I also don’t think that at like the heart, I don’t feel like kids want to cheat. I really don’t. I feel like sometimes like kids are in a situation where they’re like, “OK, I’ve got nothing left. I gotta get this assignment done.” And when those kind of things happen, that’s when we as teachers, we have those one-on-one conversations. Even when I showed my students ChatGPT and even some of the AI image-generating stuff for the first time, and I talked to them about, “What do y’all think about this?” Because, you know, they’re under 13. In my district, ChatGPT is blocked for students. Staff, we have access to it. And that’s just because one, it’s so new, and at the same time, we need to figure out, “What’s the best way they can go about using this tool?” But when we were talking about it as a class, you know, I didn’t want to ignore the elephant in the room. So I asked them, I said, “Hey, do you feel like this is something that you all would use to. …” I mean, I used the word. I said “cheat.” And to be honest, the majority of the students in my class, they were taken aback. They’re like, “What? You think we just would cheat all the time?” Right? <Laugh> And I’m like, “Oh, well good. I’m glad to know that integrity is still alive and well.” But yeah, that’s definitely my thoughts on it, as far as not only the student integrity piece — I think that that’s the big thing that you need to just bring up with your students. Because again, I like to think that I’ve seen my students write enough that if they were going to turn something in that wasn’t their voice, or it didn’t sound like them, like I could have that conversation. And don’t be surprised, too, if in the next … I don’t know, one month to a year, there’s lots of AI detectors that exist. A lot of them are these like third-party things. You can go ahead, but I would not be surprised if in the next year or so, like you start to see those AI detectors be built into Google Docs, into Microsoft Word, into even Canva. And honestly, it’s almost like a fail-safe button for teachers, that we could say “All right, this is telling me that this is 99% probably written by AI.” So you can have that conversation with a student that way.

Jennifer Roberts (00:20:03):

I mean, if you’re worried about it, Formative, right now, will even tell you if something is copy-and-pasted into the boxes that they give you for students to write in. I find that kids who cheat are desperate, you know. Especially at the high school level. They’re panic mode. And, and usually their panic comes from, “I have no idea how to even start this assignment.” And so part of what I wanna use ChatGPT for is to lower that barrier for them. Like, you’ve got an assignment, you don’t know where to start. Tell the robot, tell ChatGPT, about the assignment and ask it for a list of steps. You know, ask it for an outline. Ask it for a time management plan. I see so much tremendous potential for this to help many of my students with IEPs who have executive functioning issues.

Donnie Piercey (00:20:49):

Oh, a hundred percent, right?

Jennifer Roberts (00:20:51):

Yes, a hundred percent. This can be their personal assistant who, you know, instead of me sitting with them one-on-one and saying, you know, “This is the task you need to do, let’s break it down into these six discrete chunks,” the artificial intelligence can do that for them. And it can do that for teachers too. <laugh>

Donnie Piercey (00:21:09):

Jen, I was just thinking about, how long until we see like the phrase artificial intelligence written onto a student’s IEP? I could see that happening very, very soon.

Jennifer Roberts (00:21:20):

Right? They should be able to use that. And then, also, of course, all of its amazing beneficials for teachers. I had to completely rewrite a unit of my curriculum. I knew what I wanted to do. I had some ideas of things I wanted to put in there. And I resorted to, I went to EducationCopilot.com and typed in my stuff that I had: You know, what standards I wanted to cover, what outcomes I was hoping for mm-hmm. <affirmative>. And it generated an eight-week unit for me. And I actually told it then to go back and do it as a 12-week unit so that I’d have more stuff in there to go and cherry-pick to decide what I really wanted to do. But it gave me ideas. It gave me places to start. It saved me an hour of just brainstorming. And I don’t think that was cheating. I still got to go in and decide which ideas were valid. And I still got to … you know, I mean, I’m a teacher. Can I get accused of cheating? I don’t think that’s a thing. It’s—

Eric Cross (00:22:18):

That’s collaborating! It’s collaborating!

Donnie Piercey (00:22:20):

Collaborating! It’s a feature! It’s a feature.

Jennifer Roberts (00:22:22):

It’s Tony Stark talking to Jarvis. You know, they’re figuring it out together.

Donnie Piercey (00:22:26):

Oh, when you use the AI, Jennifer, do you call yours Jarvis? In my class we call him Jeeves. ‘Cause remember Ask Jeeves?

Jennifer Roberts (00:22:33):

I think Eric calls it Jarvis.

Eric Cross (00:22:35):

Yeah. Jarvis is gonna be the AI’s name when, when I can get that fully functioning. There are some things that you had said, I just wanna circle back on. Donnie, Jen — so what I heard was like, best intentions. The part you said about integrity and students wanting to cheat … even the mindset that we go in assuming our students, what they would want to do and assuming best intentions, really kind of frames how you look at this kind of technology. And then Jen, you kind of brought up why students cheat, and realizing that either they don’t feel equipped, or maybe it’s time management, or something else. But most people — and I believe this as an educator — most students want to learn, and they want to be able to perform and achieve. And when they cheat, it’s because they didn’t feel like they could, for whatever reason. Whether it’s it’s outside factors, whether it’s something internal, motivation, whatever it is.

Jennifer Roberts (00:23:24):

Or they were very disconnected and just didn’t care.

Eric Cross (00:23:27):

Sure.

Jennifer Roberts (00:23:27):

This is just busy work the teacher’s giving me, so I’m gonna give it very little of my time and energy. But I think, yeah, it can be that. But if the kid cares about it, if they wanna learn, they wanna learn, you know?

Eric Cross (00:23:40):

Right.

Jennifer Roberts (00:23:40):

This is the day of the internet. Any kid can learn anything they really want to learn. And we see that all the time in our classes. The kid who has zero interest in what I’m teaching in English, but he is an expert coder, and that’s what he wants to spend his time learning. He’s like, “Can I read this C++ book as my independent reading book?” And I’m like, “You know, actually, you can. Go ahead.” <Laugh>

Eric Cross (00:24:01):

Yeah. And for both of you, saying that this makes content more accessible … and I think Donnie, or Jen, you said something about IEPs. I actually put in having it write an IEP to see what would happen. I gave it a prompt for a student’s ability level and I asked it to create a plan. And then I asked it to create a rationale. And it did! And it was good! I went through and vetted it. And right now … you know, a lot of it is funny, ’cause the conversation I’m having with different teachers is kind of like the Wikipedia one. Remember when Wikipedia first got out and everyone was like trying to discourage everybody from using it, because, well, it could be changed by anybody? And now everyone’s like, “Oh, check Wikipedia, and then steal the sources, ’cause they’re already done for you.” Like, the mindset has shifted since then. And I was talking to someone and they said, “Well. …” And I said, “We can use AI, it could be a tutor, these other things. …” And they said, “Yeah, but what happens?” And then insert apocalyptic scenario. Like, what happens if you don’t have access to wifi? And it reminded me of, for some reason, cooking classes. So in the 1700s you probably had to be able to farm to be able to generate your food. Right? Like, you had to get it from somewhere. But if you take a culinary class now, you just go to the grocery store. And someone might say, “Well, but you should know how to farm, ’cause what if there was this worldwide apocalypse and nobody could go to the grocery stores?” <Laugh> And you’re like, “Well, balance of probability though.” You know, it’s like we’ve been really been living in these iterations of life, and I think this next step for some folks … like, we don’t even realize, even like something like bank statements, right? So many folks are paperless. And there’s always a what-if scenario. What if you need it and the internet goes down. But we get so used to to to technology advancing and making our lives different. This kind of seems like that next iteration. And I wanna ask you this question: Are we looking at like the next calculator? The next internet, with this tech? Or do you think it’s too early to say?

Donnie Piercey (00:26:01):

Well, I’ve seen a lot of people compare ChatGPT to a calculator. I’ve seen that pop up on social media. There’s, “Oh well, no, this is like when the calculator was invented. Everyone was up in arms about how ‘that’s not what math students should do.’ Math should be pencil and paper, math should be this.’” However, you can give a kid a calculator and you can give ’em a word problem and they can punch in all the numbers, but they could do the wrong operation or they could put the decimal point in the wrong place, ’cause the student is still the one who’s controlling what’s on the calculator. Where with AI, all you gotta do is just copy it and then paste it into the bot and it’ll spit out whatever the question asked it for. Whether it was, you know, a 500-word rationale or proof for something in geometry, or if it’s analyzing data on a chart, it’ll do all that.

Jennifer Roberts (00:27:00):

Yes. But it’s not that magical. It’s back to what Eric did with the IEP. He put in a prompt and then he knew enough to ask for a rationale and then he knew enough about IEPs to critically read the results he got and make sure they actually worked for what he needed. He had to know all that. He was an expert using it to do an expert thing. My husband’s a computer scientist; he got ChatGPT to help him write an app, and it was a new programming language to him, and he could put in the data and he could ask for things that I would’ve never thought to ask for. But because he knows the language of computer science, he knew what to ask for. And when it gave him results that were bad, he could see that, and he could say, “Yes, but do it again, but without this,” or “make this part more efficient.” He, again, knew what to ask for. So I think the generative AI is, as a partner with humans, a powerful thing. But if the human doesn’t know what they’re doing, yeah. You’re still not gonna get great results.

Donnie Piercey (00:28:03):

<laugh> And I think that’s why I’m coming at this from the elementary school perspective, right? Because in K–5 students are still learning, like, “Hey, where does the decimal point go?” They’re still learning, you know, if you’re dividing by a two-digit number, where does the first digit go, if you go in the old long-division algorithm? And so they’re still acquiring that base-level knowledge that … I don’t know, maybe this is similar to in Jurassic Park when Jeff Goldblum says, “It didn’t take any knowledge to attain,” you know, “they stood on the shoulders of geniuses,” that whole thing. Like they had to acquire the knowledge for themselves, was his whole point. And so that’s why I don’t think it’s exactly the same as the calculator. It is definitely going to change things, in a similar way that the calculator did. But to me it’s just a whole new animal. And I don’t know if it’s going to be like the next internet, Eric — if you’re gonna get little devices that have AI built into it, like a Star Wars kind of thing, like a droid or something that follows you around — all that would be kind of cool, not gonna lie. But whether it’s something that you’ll access through the internet, something that’s built into your TV, that part I don’t know. But I do know that there’s a reason why all of these apps and all these companies are investing so much — not just energy, but time and money into it. Because they’re recognizing. “OK, this really has the potential to change things.” But if used well, and used safely, to change people’s lives for the better.

Eric Cross (00:29:41):

So I definitely hear that you both agree with the statement that if AI ChatGPT was used in the classroom, it could be a force for good. And literacy development. And I wanna shift gears a bit and then come back to the AI. So with that said — and we’re gonna get into some best practices in a minute — in Science Connections right now in this season, we’re making the case for how science can do more in classrooms and in schools. And so I’m I’m curious about what both of you think about the role in science fostering a better future when it comes to AI and education. And this season we’re really talking a lot about literacy. You know, in schools, so often it’s taught in a siloed way. And Donnie, you’re doing multi-subject. Jen, you’re single-subject: English. And we’ve really been trying to make this case for how science can actually support literacy, and these skills that students are trying to develop. So we’re going a little old-school, kind of diving into your content specialty, but maybe even pre-AI, or maybe AI has a component in this. But Don, maybe we’ll start with you. How has science been a way that has been helpful for your own literacy instruction? I know you do a lot of science, because I see your Google Earth stuff and the thing you did with the solar systems back in the day. And I think —.

Donnie Piercey (00:30:54):

Oh my gosh! You remember my <laugh> … wow.

Eric Cross (00:30:58):

That was amazing!

Donnie Piercey (00:31:00):

We haven’t done that since the pandemic. But I had my students go out, and using Google Earth, we built a scale model. Each of the students partnered up and they planned out on Google Earth a scale model of the solar system. They picked an object from around their house and we talked about like, “Don’t pick something bigger than a beach ball, or else, you know, your Neptune’s gonna end up like 10 miles away.” But you know, they just picked like a small ball, like a basketball, soccer ball, something like that. Or football, for international friends. And then we calculated the size of every other planet. And then on Google Earth, using their front lawn as where the sun was, then we went and we calculated where other planets would be, and then we actually drove to those locations and like held up the objects that would represent Neptune, Jupiter, Saturn, and all that. But it was a lot of fun.

Eric Cross (00:31:59):

And is that still accessible? ‘Cause I know you have some websites that you put resources out there.

Donnie Piercey (00:32:03):

Yeah. Yeah, I can … I wanna say on my Resources page — Resources.MrPiercey.com — I’ve got a link on there to a couple of student examples that I can share. And if not, when we get off this call, I’m gonna go on and put them on there <laugh> so people can find it. I’ll even throw on there just the assignment itself. So if you wanted to copy that and do that with your students, you could.

Eric Cross (00:32:27):

Donnie, the reason why I brought that up is because I saw that you had posted that or shared it a long time ago, and I just thought it was the coolest thing that you could totally do with middle-school students or high-school students. Jen, when I became a teacher, you said, “We’re all teachers of literacy.”

Jennifer Roberts (00:32:43):

<laugh> Yeah. I think we forgot to tell them that I was one of your professors.

Eric Cross (00:32:47):

Yes. <Jennifer laughs> One of the people who’ve definitely influenced and shaped my teaching. And that statement has never left my mind: that we’re all teachers of literacy. And I want to ask you, at the high-school level, how can science educators, or how can science — how have you seen it, or how does it, support literacy, when it’s done right?

Jennifer Roberts (00:33:09):

Like I said, I think we’re all teachers of literacy, but I think literacy is bigger than just reading and writing. I don’t think someone is literate if they can’t talk somewhat knowledgeably about what’s happening with climate change. I don’t think someone’s literate if they don’t know what’s going on in the world. And I think so much of what’s going on in the world has to do with science. We’re doing that all the time. If I could teach English just by giving kids articles about science, things to read, that would make my day. Right? We would never read another piece of fiction again. It would all be, you know, what’s happening to the ice sheet in Greenland. My students thrive on reading non-fiction. And then whenever that non-fiction touches on science is even more interesting. And whenever I can get them writing about data, particularly their own data that they collected, I think that’s building those science literacy skills as well. So I think science and English blend together very, very well. I think the literacy aspects of that are fantastic. There are more subject-specific vocabulary words, advanced vocabulary words, in science than any other discipline. And I don’t see why those shouldn’t come up in English as well. You know, my seniors will do a unit at the end of the year on the new space race. Unless I replace it with a unit about generative AI, which I’m seriously considering doing, ’cause I think they really need to learn about bias in AI algorithms and things like that. And I would like to have them read a whole bunch about that stuff. And I wanna give them the open letter that all those CEOs signed that said that AI research should slow down, and make them part of that live conversation about what’s happening in that field. So science comes into that. You know, when we read Into the Wild, we start talking about a whole bunch of scientific concepts. And when it rains in Southern California, we pull up weather maps and look at radar and talk about that and how that works.

Donnie Piercey (00:34:59):

That’s like once every 10 years, Jen? <Laugh>

Jennifer Roberts (00:35:02):

Well, actually, this year it rained a lot. It rained a lot in San Diego. Which is actually very high-interest for them. ‘Cause they wanna know, is it gonna be raining at lunchtime?

Eric Cross (00:35:12):

Jen, you said something … you have your students writing about data?

Jennifer Roberts (00:35:16):

Oh yeah.

Eric Cross (00:35:17):

Can you tell me more about that?

Jennifer Roberts (00:35:19):

So, this is something we’ve done with the ninth grade team for a long time now, is writing about their own data. So it started with a unit about stereotypes and stereotype threat. And they would collect data individually and then they would enter that data into a Google form and then we would give them the spreadsheet of the aggregate data from the whole ninth grade. And then we morphed that unit into one about academic honesty, and they filled out a survey at the beginning of the unit about their feelings about academic honesty and about experiences with academic honesty and cheating and homework and things like that. And then we would do the unit. We’d do all the readings in the unit. And they’d have these “aha” moments about things that were happening at other schools. And then at the end of the unit, we would give them back their own aggregate data and ask them to write about whether or not academic honesty was an issue at our school. And then to support that answer with evidence from their own dataset. So they had that spreadsheet to comb through and figure out, you know, where am I gonna stand on this? We give them the multiple-choice questions we gave them as the graphs, in Google Slides, so that they could write about them and talk about them, too. So yeah, getting kids to write about data. And the the sentence frames we gave them were sentence frames out of, They Say, I Say, from the chapter on writing about science. And <laugh> as they write this stuff, they’re like, “I feel so smart writing this way.” And I’m like, “I know, ’cause you’re writing about big important topics!” Right? And writing about their own data come to think of it is another great way to make an assignment both very personal to them, but also make it ChatGPT-proof, you know, if you’re looking for something that kids can’t just hand to the robot, the robot doesn’t have that data set.

Eric Cross (00:37:08):

Absolutely. And Donnie, at the elementary level, do you, do you make connections between science and literacy? In your class? You talked about with math, definitely with the solar system, but now, I’m curious, what are your newer projects? What have you been working on lately?

Jennifer Roberts (00:37:23):

What’s up now, Donnie?

Eric Cross (00:37:24):

Yeah, what are you doing?

Donnie Piercey (00:37:25):

Oh, man. Well, let me think. I’m just trying to think of some fun projects that we’ve done this year. Science that we can tie in Literacy and also some student creation. Just recently we had a … so I’ve wanted to expose my students to famous scientists that weren’t just white dudes from Europe. So for this year, what I did — and I actually used AI for this — I went into ChatGPT and I asked for 64 famous scientists and it listed them all off. And then I asked it, like, how many of these were white? And I think it said like 61 of them. You know, it had like Neil DeGrasse Tyson, and a couple of other … I didn’t know who they were. So I’m like, “All right, so we need to make this more diverse and make this more equitable.” ‘Cause you know, with the student population in my classroom, try to find equal representation to make sure they can see themselves in some of these scientists. So, eventually got it narrowed down to where I had about 64 scientists. Half are women, half are men from all continents except Antarctica. I assigned these scientists to my students. Some got two; some got three. And their assignment was to go and one, do some individual research on this person, find out what they were famous for, what they were most well-known for, turn it actually into a persuasive piece, where I said, “Hey, you’re gonna have one slide.” And I’ll tell you why I gave him one slide in a minute. On that one slide, you’ve gotta convince the person who sees it that this scientist is the most important scientist since the dawn of creation. I said, “You could use images, text — I don’t care if they were famous for something that you didn’t even understand what it was. It’s a persuasive piece. You’re 10. Go all out. Add gifs, do that whole thing.

Eric Cross (00:39:21):

This is awesome.

Jennifer Roberts (00:39:21):

I wanna do this project.

Donnie Piercey (00:39:23):

And if you picked up on the number 64, and I did this in March, so what we did was throughout the weeks of March Madness of the women’s and men’s NCAA tournament, whenever a game was going on, we had another round of voting. I just paired ’em up. I was gonna like seed them, like 1 to 64 — that’s just way too much work for me <laugh>. So I just kind of did random kind of thing. But all the students had to do — they just saw the slides side-by-side, and the only question they had was, “Based on what you see here, who is the most important scientist? This person or this person?” And it eventually came down to Carl Sagan going up against Marie Curie.

Eric Cross (00:40:04):

OK, that’s a good matchup.

Donnie Piercey (00:40:06):

Yeah, well, the Marie Curie slide, they just liked the radium piece. So they added like some green glowing gifs. And I said, “Guys, it doesn’t always grow glow green.” But whatever. Anyway, eventually Carl Sagan, in case you wanted to know, according to the 10-year-olds in my classroom, is the most important scientist in the history of the world. So I don’t know if I agree with that per se — I think maybe Newton or somebody else might have had something else to say about it — but fun assignment. It was a unique way to expose my students to a bunch of ideas. I remember the student that I assigned Newton, the only thing that that she knew about Isaac Newton was “Didn’t he get hit in the head with an apple?” And I said, “Well, not exactly, I think you might have read or maybe seen too many like old-school cartoons or whatever.” But she ended up doing some research. She’s like, “Oh, I’ve heard of that before! That equal and opposite reaction thing.” Didn’t know what it meant. I had another student that just got really … you know, if you’ve ever been on one of those YouTube kicks where it’s just, you go like nine levels deep onto like, “What does this theorem mean?” Student sits in back of my classroom, I walked by one day and he’s just watching something on like the fifth dimension and what it might be. And I said, “Oh, your scientist got you started on that.” So definitely was a lot of fun. Unique way to combine reading, writing, but also expose my students to some ideas. And we’re definitely gonna do it again. I’ve actually done this assignment before. I picked 64 random elements on the periodic table. But their only slide that they have to make is “What’s your element? What is it used for? And then, why is this the most important element since the dawn of creation?” <Laugh> And, you know, there’s always that student that gets hydrogen. They’re just like “Sweet!” Right? They get excited about that one. <laugh>

Eric Cross (00:41:59):

Explosions.

Donnie Piercey (00:42:00):

Yeah. But then, for that kid who likes a challenge, or that student with the “gifted” label, you give them, like, einsteinium or palladium. Some of the more challenging ones. And they go all out with this. I didn’t use AI for that one, but it was kind of fun, and I figured it’d be neat to share an idea that another teacher could try.

Eric Cross (00:42:20):

Well you probably have at least two teachers right now that are gonna go and try that. And we’re both looking at you. So.

Donnie Piercey (00:42:24):

Go for it.

Eric Cross (00:42:25):

Thanks for that idea. I’m imagining my students coming in with jerseys with “neon.”

Donnie Piercey (00:42:29):

Oh yeah. <laugh>

Eric Cross (00:42:30):

“Neon” on it. Just all ’80s out.

Donnie Piercey (00:42:33):

The game behind it, too, is you tell kids — again, this is just so the 10-year-olds in my class don’t get their feelings hurt — but I say, “Hey, and if your element gets knocked out, you just have to start cheering for whoever beats you in the tournament.” So by the end, you kind of got half the class cheering for one and half the class cheering for whatever.

Jennifer Roberts (00:42:53):

So the only thing I got outta that whole story that I’ve got for you is, as a child I met Carl Sagan. That’s all I got.

Donnie Piercey (00:43:02):

For real?

Jennifer Roberts (00:43:02):

For real.

Donnie Piercey (00:43:03):

So did he talk with that cadence and tone?

Jennifer Roberts (00:43:06):

Yes.

Donnie Piercey (00:43:06):

Like in real life? Wow.

Jennifer Roberts (00:43:07):

Yes. My father was one of the cinematographers on the original Cosmos. And I got to go to the set a few times.

Donnie Piercey (00:43:14):

That’s incredible!

Jennifer Roberts (00:43:15):

I did not appreciate what I was seeing as a child. But as an adult, I’m like, “That was cool. I was there.”

Donnie Piercey (00:43:20):

“You can see my shadow off in the distance.”

Jennifer Roberts (00:43:23):

I mean, maybe that’s part of why I’ve always had an interest in science. I’ve always had fantastic science teachers. Every science teacher I ever had was amazing.

Donnie Piercey (00:43:31):

I credit mine to Mr. Wizard. I don’t know if you ever watched Mr. Wizard and Beakman’s World?

Eric Cross (00:43:35):

I remember Mr. Wizard. Yep. Yep. I definitely remember Mr. Wizard, Beakman’s World, all those. That was on Nickelodeon back in the day. I had to get up early to watch that one. But there’s a YouTube video—

Donnie Piercey (00:43:44):

Six am!

Eric Cross (00:43:44):

<laugh> It was! It was super-early! But there was one, Don, I don’t know if you’ve seen this on YouTube, but it said “Mr. Wizard Is Mean,” and it’s just clips of when he’s—

Donnie Piercey (00:43:56):

Yelling at kids!

Eric Cross (00:43:56):

Chastising. Or being really direct. It’s just one after another.

Donnie Piercey (00:44:02):

He always asked ’em a question and if the kid, you know, didn’t answer it right, he’d be like, “Well, you’re not right, but you’re wrong.” You know, whatever. <Laugh>

Eric Cross (00:44:14):

I have to make sure I’m not subconsciously saying Mr. Wizard quotes when I’m talking in the classroom, when things are happening. But yeah, that video’s hilarious. So I just want to bring us back to AI, and ask this question: Do you think science has a special role to play when it comes to teaching kids about AI responsibly? Does science have a special role in that?

Jennifer Roberts (00:44:36):

I think the responsible piece of AI I wanna teach my students about is the part about the bias in the algorithms and the bias in the training. And I want them to understand how it works, well enough to make informed decisions about how it impacts their lives.

Donnie Piercey (00:44:56):

Hmm.

Jennifer Roberts (00:44:57):

Because I do have concerns about a tool that was trained on the internet. And the answers it gives you is the average of the internet. And do we trust the internet? And the answer from kids is always, “Well sorta, no.” <Laugh> So I want them to understand the social science behind that.

Donnie Piercey (00:45:18):

Yeah. And just along that same point, having the students recognize that just because, you know, you copy-and-paste a question in, the answer it spits out might not always be correct. So, teaching them that just like you would with a source that you find about a topic that you’re researching, you’ve gotta fact-check.

Jennifer Roberts (00:45:44):

It’s just like being a good scientist. A good scientist wouldn’t always accept a single result or the first result. You know, you would look at multiple angles. You would try things different ways. Last week I took the article my seniors were reading about victim compensation after 9-11, and in front of them, I gave ChatGPT, I said, “Are you familiar with this article by Amanda Ripley? And ChatGPT came back and said, “Oh yes, this was written in the Atlantic in 2020 and it’s about these things, blah, blah blah.” And my students looked at that and went, “That’s not the article we read.” And I said, “I know. It got it wrong. That’s amazing!” Yeah. And I was so happy that it got it wrong! ‘Cause I wanted them to see that happen.

Donnie Piercey (00:46:21):

And I guess one of the big science questions there, or one of the big science components there, is that idea of inquiry. Right? It’s almost like you have to teach students how to ask those deep questions about what AI spits out.

Eric Cross (00:46:35):

All of those tips are great. And it leads me to this last question I want to ask. New teachers that are out there — it actually doesn’t even matter; new teachers, experienced teachers, all of us are kind of new at different levels of this race. We’re all kind of starting it together. I mean, it hit mainstream. We’re all getting exposed to it. You all really dive into it. When tech comes out, I know you two really like, “OK, how can we use this to transform education and do awesome things for kids?”

Donnie Piercey (00:47:04):

Usually, when new tech comes out, “How can this make my life easier?” is usually the question. Yeah.

Jennifer Roberts (00:47:09):

“How can I save myself time with this?” Yes.

Donnie Piercey (00:47:11):

“How can this result in me watching more TV and you know, less grading,” sometimes.

Eric Cross (00:47:16):

And I start there like you, but then I end up more time that I fill with another project. And I need to learn how to stop doing that. I’m like, “Oh! I got more free time! … to go take on this other task.”

Jennifer Roberts (00:47:28):

Oh, all of my tech adoption is driven by “how can I work less?”

Eric Cross (00:47:32):

So you’re you’re talking to a new teacher, teacher’s getting exposed to this, they’re starting the school year or they’re just getting their feet wet with it. What advice would you give them about AI, incorporated into content or even just best practices? Where you’re at right now in your own journey, and someone’s asking you about it —what would you share with ’em? And Jen, I want to start with you.

Jennifer Roberts (00:47:53):

So, the first thing I did is I was in the middle of grading, you know, 62 essays from my seniors about Into the Wild, when ChatGPT became a thing last November. And I wanted to see what would happen. So the first thing I did was take the prompt that I had given my students and gave it to ChatGPT, ’cause I had just graded a whole bunch of those essays and my brain was very attuned to what my rubric was doing and what I was expecting as the outcome. So I could take what ChatGPT gave me as that quote unquote “essay” and evaluate it critically. And I was ready to do that. So my first advice is take something you’re already asking students to do and ask ChatGPT to do the same thing. So that as you look at the student results, you can compare that to what ChatGPTgives you. If what you’re finding is that ChatGPT can generate something that would earn a decent grade from you, you might need to change that assignment. And it doesn’t need to be a big change, but it might need a tweak or something, so that it, it does rely on the student voice, the students to do something more personal. I’m finding very helpful in my classroom is having my kids do projects where they are recording themselves on — I like Flip. So they’re writing a scene together and they’re having to record the scene together. And I’m emphasizing more of the speaking roles than the writing roles necessarily. So yes, first, take something you’re already doing, paste in to ChatGPT, see what the results are, see how that fits with what your students are doing, and then do that for every assignment you give and just sort of see what comes out of that, and see which assignments are failing and which assignments are working. ‘Cause that’s gonna give you a sense, when you do see one of those results from your students, you’ll be able to recognize it. But it’ll also help you tweak your assignments and decide, “How can I make this a little more original or a little bit more authentic for my students?” And if the robot, if the AI, can’t generate a response, what could the AI do that would be helpful to your students? Would be my next question. So can you use the AI to help them generate an outline? Can you use the AI to help them generate a list of steps to help them get started? And when you’re comfortable enough doing that by yourself, then don’t be afraid to open it in front of your class. If it’s not blocked at your school site, which I hope it’s not. Because I think the advantage goes to kids who have access to this in the long run, or at least see what it is and know what it is. Right? Because if a kid graduates from school without knowing that AI exists, they’re not gonna be prepared for what they face out in the world. So give them a chance to see you using it. Model effectively using it. I have a blog post about that. I just wrote it. LitAndTech.com. You can check that out. “Introducing 9th graders to ChatGPT.” How it went, right? There’s a chart there you can have. It’s my very first draft of this, but it seems to be very popular. So, you know, show students how it can be used as their mentor. If I can’t come read your paragraph because I have 36 kids in my classroom and I cannot stop and read everybody’s first paragraph, can you, if you want to, give your first paragraph to ChatGPT and ask for advice? And will that advice be helpful to you? So showing students how it can be used responsibly is, I think, something every teacher should be doing right now. And don’t hold back just because you’re afraid you’re gonna be teaching them what this is. They know what this is. Right?

Donnie Piercey (00:51:13):

They know what it is.

Jennifer Roberts (00:51:13):

Especially if you teach high school. They know what it is. I’ve had parents thank me for showing them how to use it responsibly. You know, this can actually be a really useful tool, but if you’re trying to make it do your work for you, it will probably fail you. If you’re trying to use it to help you do your work, it will probably be helpful. Sort of the way I’m breaking it down for them at this point. You want the great metaphor? The great metaphor is if you build a robot and send it to the top of a mountain, did you climb that mountain? No. If you build a robot and ask it to help you get to the top of the mountain, and you and the robot go together, did you climb that mountain? Yes.

Eric Cross (00:51:53):

I like that. I’m thinking through this. I’m processing that now.

Donnie Piercey (00:51:57):

Me too.

Eric Cross (00:51:59):

Yeah. I just imagine a robot holding my hand climbing Mount Everest and I’m like, “Yeah, I did it.”

Donnie Piercey (00:52:04):

If I got a robot though, like I would have to dress it like Arnold Schwarzenegger in Terminator 2. Like I would just have to.

Eric Cross (00:52:10):

Of course.

Donnie Piercey (00:52:10):

Of course.

Eric Cross (00:52:13):

Donnie, same question. Advice. Teachers getting immersed into it. Tips. What would you say?

Donnie Piercey (00:52:20):

So, I would definitely agree with everything that Jen said. Just, if anything else, to familiarize yourself with it. Almost like pretend like it’s a student in your classroom and it’s answering questions, just so that way you can see what it can do. And you’re kind of training yourself, like, “Oh, well, if I ever need examples, exemplars.” If you’re in a writing piece and you don’t wanna sit there and write out four different types of student responses — you know, advanced writer, beginning writer, whatever — great way to to do that is you just—

Jennifer Roberts (00:52:48):

Oh yeah. We did that.

Donnie Piercey (00:52:48):

—copy the prompt in and give a beautifully written piece that a fifth grader would be impressed with. Boom. It’ll do it for you. In my classroom, the way that I approach it is I kinda look at AI as almost like this butler that I don’t have to pay. That if I need it to do something for me, it’s just bookmarked. I can click it. And I mean, sometimes I just talk to it like it’s a person. And it’s almost like, in the chat window, I’m just rambling at it, what I’m trying to do. And it’s almost like I’m talking to a coworker, and I’m trying to hedge out some ideas for a lesson. Simple example: For a science lesson, if you’re trying to come up with … let’s say you’re a fifth-grade — or, sorry, I teach fifth grade. Say you’re a seventh-grade science teacher. And you’re trying to teach the students in your class about Newton’s third law of motion. You know, every action [has an ] equal and opposite reaction. Look around your room. See what you have. Maybe look around and you’re like, “All right, I got a whiteboard, microscope, I’ve got magnets, a cylinder. …” And you just copy all this stuff into ChatGPT. Say, like, “Hey, I have all of these items. Cotton balls, peanut butter, whatever.” And say, “I’m trying to teach students Newton’s third law of motion. Give me some ideas of some ways I could teach it using some of these materials.” And it’ll do it! It’ll give you like five to 10 ideas!

Jennifer Roberts (00:54:15):

And then tell it what your students are into. Like, my students are really into basketball. Can you work that into this lesson?

Donnie Piercey (00:54:21):

Yeah! They’re into the Avengers! Hey, find some way to tie Spider-Man into this. You know, that was a pun that didn’t go so well. But, you know <laugh> figure out some way that you could incorporate this and it’ll do it. And Eric, like you said, it won’t be perfect. Right? But if anything else, if you’re a starting teacher and you’re trying to brainstorm ideas — try it.

Eric Cross (00:54:44):

And Donnie, as you were saying that, I was thinking — first, I imagined Spider-Man shooting cotton balls with peanut butter all over them — and then my mind went to having students have these items, like you were saying. And then they create labs, working alongside AI. To do inquiry. To create a lab about something, and then going and performing and collecting data. OK, that’s — now I wanna go do that tomorrow!

Donnie Piercey (00:55:10):

Listen, it is so easy to do. If you have an extra computer in your classroom. … We were talking about Jarvis and Iron Man and Tony Stark earlier. Make a new chat in ChatGPT. Tell it, “I want you to pretend that you are Tony Stark. Only answer questions as if you are Tony Stark.” Or “Pretend you’re Jarvis.” Whatever. “Stay in character the whole time. I’m going to have sixth grade students come up to you and ask you questions about science or forces of nature, and only answer questions like you’re Iron Man.” And guess what? You keep that station in your classroom. Students are working on a project — you know, in elementary school, a lot of times we’ll have that, “ask three before me” — you’re supposed to ask three friends before you go and bug the teacher. Well, maybe one of those “three before me” can be that little computer station, where they go up and ask Tony Stark a question, and then it answers them as Jarvis or Iron Man. I mean, we’re really just scratching the surface with all this AI stuff. And as more and more companies and more and more creatives are gonna start to realize everything that it can do, we’re gonna start to see it more and more. And hopefully we as teachers can really figure out how to use this tool to, of course, help students, but also help them be creative and explore and learn on their own.

Eric Cross (00:56:35):

That’s amazing. And just both of you are just dropping gems right now. And I wanna wrap up by saying — and I’ve said this before on earlier podcasts I’ve done — but at this phase in my life, the people that I’m the biggest fans of are teachers. And it’s true. I don’t mean that in a cliche way. When I watch celebrities and things like that, when I watch professional sports, that doesn’t fill me the way it used to when I was a kid. At this point, as a professional, I get inspired by other educators who are just doing awesome things. And when I think about educators who are doing that, you two are on that list of people that make me better. And when I get better, I can do better things for my kids. And so, one, I want to thank you for staying in the classroom and continue to support students. They’re so lucky to have you both. The second thing I wanted to say is, Jen, I wanna start with you. Where can people — and I know we said at the beginning — but where can people find the stuff that you put out? You got blogs, your social, your book.

Jennifer Roberts (00:57:28):

I got lots of social. Twitter, I’m JenRoberts1 on Twitter. And then my blog is LitAndTech.com. And then I’m on lots of the new social too, the Mastodons, the Spoutables, the Posts — those kinds of things — as just Jen Roberts, because I got in early and I got my real name without a 1. And there was some other one I’m on recently that I’ve forgotten about. But there’s lots of ’em. They’re fun. And I’m Jen Roberts. You can find me there.

Donnie Piercey (00:57:56):

And I’m SergeantPepperD on AOL, if anyone’s interested.

Eric Cross (00:58:00):

If you wanna hit Donnie up on AIM. <Laugh>

Donnie Piercey (00:58:03):

SergeantPepperD.

Jennifer Roberts (00:58:04):

You know, speaking of rock stars and people who do amazing things, I did write a blog post about using ChatGPT in the classroom, but I hear Donnie wrote a whole book.

Eric Cross (00:58:13):

Oh yeah. So, Donnie! Donnie, that’s a great segue. Thanks Jen. Donnie, how do people find out more? And can you tell us about this book you wrote, that’s coming out in the summer?

Donnie Piercey (00:58:22):

Yeah, so the book I wrote is called 50 Strategies for Integrating AI Into the Classroom. It’s published by Teacher Created Materials. They reached out to me. They had seen some of the stuff that I was doing, not just with ChatGPT, but also some image-generating AI stuff. You know, I got featured on Good Morning America, which was kind of cool. And they saw that and they said, ‘Hey, that looks really neat.” Reached out to me and asked me to write a book. And the idea behind the book, that launches this summer, it’s just 50 ideas, 50 prompts, different things that, as a classroom teacher, that you can do. So, you know, I think there’s so many AI books that are out there now. A lot of them are big ideas, which I think are important. Definitely important discussions that need to be, have around, the ethics of AI. What’s the role that AI should play in the classroom. But I just wanted to write a book, kind of like the discussion that, that Jen and I were just having, which is like, “Can we just share a whole bunch of ideas, different things that we could try with our students?” So definitely check it out. And I appreciate you giving me a shout-out too. That was cool, Eric. Thank you.

Eric Cross (00:59:35):

Of course. Definitely. And Donnie, your Twitter is again. …

Donnie Piercey (00:59:39):

Oh, @MrPiercey, M R P I E R C E Y.

Eric Cross (00:59:44):

Follow Donnie. Follow Jen. Tons of stuff on there. Both of you, thank you so much. For your time, for talking about students and how we can take care of them, science, literacy, AI. I hope we can talk about this again. I feel like even if in just six months, we might be saying different things. In a year, the landscape might completely change. And that makes it really fun. But thank you both for being on the show.

Jennifer Roberts (01:00:04):

Thank you for having us, Eric.

Donnie Piercey (01:00:05):

Thank you so much, Eric. We appreciate it, bud.

Eric Cross (01:00:10):

Thanks so much for listening to my conversation with Jen Roberts and Donnie Piercey. Jen Roberts is a veteran English teacher at San Diego’s Point Loma High School and author of the book Power Up: Making the Shift to 1:1 Teaching and Learning. You can keep up with her at LitAndTech.com. And Donnie Piercey is a fifth-grade teacher from Lexington, Kentucky. He hosts the podcast Teachers Passing Notes. Stay up-to-date with him at Resources.MrPiercey.com. And let us know what you think of this episode in our Facebook discussion group, Science Connections: The Community. Make sure you don’t miss any new episodes of Science Connections by subscribing to the show, wherever you get podcasts. And as always, we’d really appreciate it if you can leave us a review. It’ll help more people and AI robots find the show. You can find more information on all of Amplify’s shows on our podcast hub, Amplify.com/hub. Thanks again for listening.

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What Jennifer Roberts says about science

“If I’m not teaching my students how to use this, then they’re not going to turn into the adults we need them to be… If we’re not at least trying to think about what our future world is going to look like, then we’re not serving our students well.”

– Jennifer Roberts

High School English Teacher

Meet the guests

Jen Roberts is a Nationally Board Certified high school English teacher with 25+ years of experience teaching Social Science and English Language Arts in grades 7-12. She has had 1:1 laptops for her students since 2008 and is the co-author of Power Up: Making the Shift to 1:1 Teaching and Learning. A Google for Education Certified Innovator since 2011, Jen was named the CUE Outstanding Educator in 2022. Her interests include literacy instruction, standards based grading, and leveraging Google tools to make her teaching more efficient and effective.

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Donnie Piercey, the 2021 Kentucky Teacher of the Year, is a fifth-grade teacher in Lexington, Kentucky.  With a passion for utilizing technology to promote student inquiry, learning, and engagement, he has been teaching since 2007. In addition to being in the classroom, he runs a podcast, Teachers Passing Notes that is produced by the Peabody Award winning GZMShows, and holds several recognitions, including a National Geographic Fellowship to Antarctica in 2018. His most recent work in Artificial Intelligence has not gone unnoticed, earning him multiple appearances on Good Morning America, the Associated Press, and PBS. His upcoming book, “50 Strategies for Integrating AI in the Classroom” published by Teacher Created Materials, is written for educators looking for practical classroom approaches to using AI. All told, Donnie has been invited to keynote and present at schools in thirty-three states and on five continents.

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About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. 

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¡Les damos la bienvenida, familias de Amplify ELA!

Nos complace darles la bienvenida a usted y a su estudiante al programa Amplify ELA para el nuevo año escolar y brindarles oportunidades de aprendizaje excepcionales a través de ELA. Hemos reunido una serie de recursos y guías que ayudarán a que su estudiante aproveche al máximo nuestra plataforma. Ponemos a su disposición estos materiales para que también usted pueda brindar apoyo a su estudiante a lo largo de todo el año.

Para la versión en inglés, haga clic aquí.

Illustrated collage with people playing sports, riding bikes, and a thoughtful person’s portrait, framed by natural elements and a rocket launching, next to an "EdReports Review Year 2020" badge.

¿Qué es Amplify ELA?

Amplify ELA ayuda a los estudiantes de los grados 6 a 8 a leer y comprender textos complejos que los alientan a abordar ideas interesantes y a descubrir, por sí mismos, la relevancia de estos textos. Amplify ELA es un programa mixto que incluye materiales digitales e impresos, pero también se puede utilizar solo de manera impresa. Los estudiantes que usan Amplify ELA leen textos con atención, interpretan lo que encuentran, comparten sus ideas con sus compañeros y desarrollan sus ideas por escrito. La estructura de la lección es fácil de seguir, pero lo suficientemente flexible para permitir diversas experiencias de aprendizaje y lo suficientemente variada para mantener a los estudiantes interesados.

Las características incluyen:

  • Funcionalidad que permite a cada estudiante trabajar en su propio nivel y enfrentar, al mismo tiempo, desafíos adecuados.
  • Herramientas integradas que permiten a los maestros realizar un seguimiento y responder al trabajo de los estudiantes.
  • La biblioteca digital (Amplify Library), que contiene más de 700 libros completos de ficción y no ficción descargables.
  • La aplicación de vocabulario (Vocab App), que utiliza actividades lúdicas para ayudar a que los estudiantes dominen las palabras clave de los textos del programa. (Los estudiantes que utilicen materiales impresos verán las palabras clave resaltadas.)
  • Tareas de escritura independientes llamadas Solos, disponibles en dispositivos móviles.
  • Proyectos interactivos llamados Quests que acompañan a ciertas unidades para proporcionar práctica adicional en las habilidades analíticas de lectura, escritura, habla y escucha.

Primeros pasos

Cómo apoyar a su estudiante en casa:

  • Si es posible, lea con su estudiante a diario; incluso 15 minutos de lectura juntos al día pueden tener un gran impacto. Pueden leer juntos en voz alta secciones del texto; a muchos estudiantes de secundaria les gusta adoptar el papel de un personaje de una obra de teatro e interpretar parte de sus diálogos o añadir un toque dramático a un poema en el que estén trabajando. Si su estudiante tiene dificultad para leer en voz alta, intente leerle el texto con expresividad y después pida a su estudiante que haga lo mismo. Los días flexibles del programa (Flex Days) tienen una variedad de actividades de fluidez en la lectura que sirven como práctica adicional. Pídale a su estudiante que le ayude a encontrar estas actividades.
  • Busquen momentos para conversar sobre lo que están leyendo y descubriendo. Por ejemplo, usted podría preguntarle:¿Qué te llamó la atención de lo que leíste hoy? ¿Alguna frase o palabra te resultó confusa? ¿Qué te sorprendió más? ¿Qué crees que intentaba comunicar el autor? ¿Estás de acuerdo con sus ideas o descripciones? ¿Qué conexiones puedes establecer entre lo que lees y tu propia vida u otros temas que hayas escuchado?
  • Escuche a su estudiante leer sus respuestas escritas o pídale que las comparta con un amigo por teléfono o en una videollamada.
  • Explore Amplify Library para encontrar libros que su estudiante pueda disfrutar y leer con fluidez por su cuenta.
  • Consulte el artículo Proteja a los niños en internet de la Comisión Federal de Comercio, cuyo tema es la seguridad digital.

Cómo acceder a textos en Amplify Library.

¡Invitamos a que los estudiantes utilicen los textos básicos de Amplify Library en casa! Por favor, siga los siguientes pasos para poder descargar un texto y poder leerlo sin contar con acceso a internet:

1. Diríjase al menú Programs & Apps (Programas y aplicaciones) ubicado en la parte superior de la pantalla y desplácese hacia abajo hasta encontrar el icono de Amplify Library. Cuando lo seleccione, Amplify Library se abrirá en una nueva pestaña.

A digital menu displays various educational tools and resources, with "Amplify ELA" highlighted at the top and the "Library" option outlined in orange.

2.  Si se le solicita, siga las instrucciones para configurar un pin para Amplify Library; de lo contrario, continúe con el siguiente paso.

A pop-up window prompts the user to create a four-character PIN of lowercase letters and/or numbers for offline reading, with Cancel and Submit buttons.

3. En la esquina superior derecha de la pantalla, busque el libro que desea descargar. Por ejemplo: The Secret of the Yellow Death: A True Story of Medical Sleuthing.

A digital library search page displays "yellow death" in the search bar with no results found for title, authors, or genre. Book covers are visible in the left sidebar.

4. Seleccione el botón Download (Descargar).

A digital library interface displays the book "The Secret of the Yellow Death" by Suzanne Jurmain, showing its cover, synopsis, and options to read or download.

5. Si pierde el acceso a internet mientras está en Amplify Library, podrá seguir accediendo y leyendo los libros descargados. Si la página se actualiza sin tener conexión a internet o usted intenta iniciar sesión en otro dispositivo sin tener conexión, perderá el acceso a los libros descargados hasta que se restablezca la conexión.

A dropdown menu under "My Library" shows options: Recently Read, Favorites, Downloaded (highlighted), and All Books. Below, a Recently Read section displays three book covers.

Para recuperar los textos descargados:

  1. Desde la aplicación de Amplify Library, abra el menú desplegable My Library (Mi biblioteca) ubicado en la esquina superior izquierda.
  2. Seleccione Downloaded (Descargados).
  3. Elija el texto que desea leer de entre todos los textos previamente descargados.

Vistazo general a los materiales

No todas las escuelas funcionan de la misma manera, pero los estudiantes que asisten a escuelas que tienen las ediciones impresas y digitales del programa probablemente tienen los siguientes materiales impresos en casa:

  • Edición para estudiantes (Student Edition): Incluye todas las lecturas y actividades necesarias para la instrucción a lo largo del año. Los estudiantes pueden leer las selecciones tanto en formato digital como impreso y anotar en ambos formatos. Las lecciones de la Edición para estudiantes impresa reflejan cada lección digital, pero se han modificado para que funcionen eficazmente en formato impreso.
  • Diarios de escritura (Writing Journals): Este espacio proporciona a los estudiantes la posibilidad de responder a indicaciones de escritura (Writing Prompts) y completar otras tareas escritas.

En el caso de que los estudiantes no tengan acceso a dispositivos o Internet, pueden continuar completando tareas clave de lectura y escritura utilizando las Ediciones para estudiantes impresas y los Diarios de escritura para estudiantes.

Los maestros también pueden acceder a, imprimir y enviar por correo las guías de novelas (Novel Guides) para estudiantes. Las guías abarcan hasta 12 novelas que suelen enseñarse en las escuelas. Seis de estas novelas están disponibles en Amplify Library y la mayoría debería estar disponible en una biblioteca pública.

Reseñas de unidades

A continuación, se presentan breves descripciones generales de cada unidad que su estudiante estudiará en su grado a lo largo del año. Con cada unidad se incluye una guía descargable que ofrece un repaso más detallado del contenido cubierto y de cómo puede ayudar a su estudiante a profundizar en la comprensión de los temas.

Unidad 6A

La narrativa de Dahl

Cada estudiante comienza con escritura narrativa para aumentar rápidamente su producción de escritura, aprender la destreza básica de enfoque y familiarizarse con los hábitos y rutinas clave del salón de clases que utilizarán todo el año. Luego, aplica su nueva capacidad de observación a entretenidas lecturas de la biografía de Roald Dahl, Boy, y aprende a trabajar de cerca con evidencias del texto.

Unidad 6B

Misterios e investigaciones

Cada estudiante lee con la atención propia de un investigador, embarcándose en un estudio del cautivante mundo del trabajo de detective en distintos géneros literarios. Al final de la unidad, el niño o la niña escribe una composición para explicar cuál es el rasgo más útil de un investigador en la resolución de problemas.

Unidad 6C

Colección acerca del chocolate

Los aztecas lo usaban como moneda, Robert Falcon Scott lo llevó a la Antártida, los nazis diseñaron con él una bomba para matar a Churchill. La historia del chocolate se remonta a 3,700 años en el pasado y está repleta de vicisitudes que la vuelven un tema de investigación gratificante. En esta unidad los y las estudiantes analizan documentos de primera fuente y conducen investigaciones independientes para entender mejor la extraña y maravillosa gama de roles que el chocolate ha desempeñado en el mundo a lo largo de los siglos.

Unidad 6D

Los griegos

Los mitos griegos nos ayudan a entender no solo la cultura griega antigua, sino también el mundo que nos rodea y la función que cumplimos en él. Partiendo de las rutinas y destrezas establecidas en las unidades anteriores, estas lecciones motivan a cada estudiante a dejar atrás el enfoque en una sola persona —él mismo o ella misma o un personaje— para contemplar cuestiones más amplias sobre el papel que las personas desempeñan en el mundo y en las comunidades donde residen.

Unidad 6E

El verano de las mariposas

Las tierras fronterizas de Estados Unidos y México son lugares poblados de leyendas, tanto verdaderas como ficticias. El verano de las mariposas, de Guadalupe García McCall, implanta una versión de la Odisea en este entorno, embarcando a cinco hermanas en una aventura que transcurre en un mundo de héroes y malhechores inspirado en mitos aztecas y leyendas latinoamericanas. La experiencia ayuda a las hermanas a aceptar la disolución del matrimonio de sus padres y a encontrar fortaleza renovada en su identidad de hermanas y en su conexión a un linaje azteca. En esta unidad, cada estudiante analiza el uso que McCall da a la estructura de una epopeya para crear una narración emocionante de aventuras, y cómo la autora hace uso de la narración para celebrar el poder femenino, su herencia latina y una definición más amplia de lo que es una familia. Cada estudiante también tiene oportunidad de comparar el viaje ficticio de las jóvenes a México con la descripción del viaje real de un jovencito a Estados Unidos.

Unidad 6F

Colección acerca del Titanic

Para aprender a diferenciar las fuentes primarias, secundarias y terciarias, determinar si una fuente dada es fiable y entender los usos éticos de la información, cada estudiante formula sus propias preguntas de investigación y busca las respuestas en internet. Asumirá así el papel de uno de los pasajeros o pasajeras de la lista de embarque del Titanic y considerará cuestiones de clase y género, a medida que investiga y escribe relatos desde el punto de vista de los viajeros.

Unidad 6F y unidad 6G

Comenzar a escribir un cuento

En esta unidad cada estudiante puede poner en práctica sus destrezas de escritura creativa, para aprender elementos de narración y desarrollo de personajes, y la importancia del lenguaje vívido. Cada estudiante consigue una noción de propiedad sobre su propia escritura a medida que experimenta los diferentes impactos de sus decisiones autorales en oraciones, lenguaje, rasgos de personajes y giros de la trama.

Unidad 6F

Gramática

En esta unidad cada estudiante completa instrucciones para seguir un aprendizaje autoguiado y practica lo que el maestro y la maestra le asignará durante el año.

Unidad 7A

La narrativa y La joven del pañuelo rojo

En esta unidad se presenta la autobiografía sumamente cautivante de una joven cuya vida transcurre en China durante la Revolución Cultural. Cada estudiante aprende la historia y el contexto político de este periodo, enfocándose en el relato de alguien que vivió en la época de la revolución. A medida que cada estudiante recorre el camino de la protagonista en ese mundo convulsionado, puede apreciar los cambios que se produjeron en los sentimientos y motivaciones de la joven a lo largo del tiempo.

Unidad 7B

Carácter y conflicto

Leyendo Una pasa al sol y Inocentón, cada estudiante explora el tema de las personas que, al enfrentar adversidades, pueden infligir daño en quienes los rodean sin intención de hacerlo. Las dos narrativas se complementan para brindar a cada estudiante oportunidades de analizar las respuestas de los personajes al conflicto y el desarrollo de ideas del autor o la autora en una obra de ficción.

Unidad 7C

La ciencia del cerebro
¿Podrías sobrevivir después de que una vara de hierro te atravesara el cráneo? Phineas Gage lo hizo y su historia, escalofriante pero real, permite desarrollar la información de contexto y analizar otros textos informativos, incluyendo los contemporáneos El hombre que confundió a su mujer con un sombrero y el obviamente relevante La desmitificación del cerebro adolescente.

Unidad 7D

La poesía y Poe

Los textos de Poe siempre tienen mucho para observar, descifrar, comentar y… crisparnos los nervios. Dado que las cosas no siempre son lo que aparentan, cada estudiante usa las destrezas de lectura atenta para cuestionar si debería creer lo que el narrador de Poe les está contando.

Unidad 7E

Colección acerca de Frida y Diego

Los artistas más famosos y provocativos de México, Diego Rivera y Frida Kahlo, formaron una pareja extraordinaria que vivió en tiempos extraordinarios. Eran almas gemelas con personalidades totalmente opuestas. Las obras de Diego Rivera y Frida Kahlo y sus vidas multifacéticas ofrecen a cada estudiante un tema fértil y fascinante para examinar documentos de fuente primaria y conducir investigaciones independientes.

Unidad 7F

Colección acerca de La fiebre del oro

Cada estudiante elige entre una extensa colección de fuentes primarias y secundarias para aprender acerca de la amplia diversidad de personas que participaron en La fiebre del oro de California.

Unidad 7G

Escribir un cuento: nivel intermedio

En esta unidad cada estudiante puede poner en práctica sus destrezas de escritura creativa para aprender elementos de narración y desarrollo de personajes, y la importancia del lenguaje vívido.

Unidad 7

Gramática

En esta unidad cada estudiante completa instrucciones para seguir un aprendizaje autoguiado que el maestro o la maestra le asignará durante el año. Las sub unidades están organizadas por temas clave de gramática, de manera de que el maestro o la maestra pueda asignar el contenido que mejor se acomoda a las necesidades de sus estudiantes mientras se asegura de que trabajen con temas clave de gramática apropiados para su grado.

Unidad 8A

Perspectivas y narrativa
Esta unidad procura enseñar a cada estudiante a leer como un escritor o una escritora. Así, pone en práctica la destreza de prestar atención al oficio de la escritura: las decisiones que toma un buen escritor o escritora para darle forma a nuestra percepción de una escena o a nuestros sentimientos hacia un personaje, y para despertar nuestras emociones, sorprendernos o dejarnos pensando en lo que podría suceder después. Cada estudiante lee atentamente ejemplos de narrativas de no ficción, analiza las técnicas que usa cada autor para que sus textos evoquen emociones y practica la aplicación de estas técnicas en sus propios textos narrativos.

Unidad 8B

Libertad e igualdad
Analizamos las palabras de varios creadores —desde el poeta Walt Whitman hasta el abolicionista Frederick Douglass y el presidente Abraham Lincoln— para descubrir cómo sus escritos y obras contribuyeron a los cambios extremos de la organización social: un concepto totalmente nuevo de lo que significaba considerar a las personas “iguales”.

Unidad 8C

Ciencias y ciencia ficción
Cada estudiante leerá la obra Frankenstein de Gris Grimly, una novela gráfica que integra ilustraciones cautivantes en una versión abreviada de la edición de 1818 del libro de Mary Shelley. Combinadas con el texto de Shelley, las inquietantes —y a veces espeluznantes— representaciones de la criatura de Frankenstein diseñadas por Grimly impulsan a cada estudiante a contemplar algunos de los temas centrales del texto: el origen de la humanidad y la raíz del mal. Luego escribe un ensayo, en el cual, después de argumentar a favor de ambos lados de la cuestión, determina si en última instancia la criatura de Frankenstein debería considerarse humana.

Unidad 8D

Romeo y Julieta, de Shakespeare
Romeo y Julieta combina romance y acción, ofreciendo una amplia gama de temas y escenas que cada estudiante puede leer y representar actuando. Cada estudiante de nivel intermedio tiene la edad adecuada para identificarse con los sentimientos intensos de los amantes, y ha alcanzado la madurez suficiente como para analizar de forma crítica las decisiones que toman Romeo y Julieta.

Unidad 8E

El Holocausto: memoria y significado
Esta unidad usa una variedad de artículos, imágenes y videos de primera fuente, así como textos de no ficción literaria y no ficción gráfica, para estudiar los sucesos que hicieron posibles las atrocidades del Holocausto. Cada estudiante investiga cómo se generó y se empleó la propaganda para crear un ambiente político que llegó a corromper a toda una sociedad. Las Olimpiadas se observan a través de la lente de una campaña de propaganda internacional, al amparo de la cual los nazis comenzaron a eliminar de su cultura a las personas que no eran de lo que consideraban “raza aria”. La sub unidad final examina los resultados de la doctrina nazi y su impacto en las víctimas y sobrevivientes judíos.

Unidad 8F

Colección acerca de La carrera espacial
Cada estudiante usa internet para poner a prueba sus destrezas de investigación y lectura atenta, y distingue entre fuentes fiables y fuentes no fiables.

En esta colección los estudiantes exploran documentos primarios y llevan a cabo investigación independiente para comprender mejor esta carrera espacial entre los dos superpoderes del planeta. La dramática historia de la carrera espacial ofrece a cada estudiante un generoso tema de investigación para explorar, mientras desarrollan destrezas de lectoescritura informativa, y aprenden cómo elaborar sus propias preguntas de investigación y exploran Internet en busca de respuestas.

Unidad 8

Gramática

En esta unidad cada estudiante completan instrucciones para seguir un aprendizaje autoguiado que el maestro o la maestra le asignará durante el año. Las sub unidades están organizadas por temas clave de gramática, de manera de que el maestro o la maestra pueda asignar el contenido que mejor se acomoda a las necesidades de sus estudiantes mientras se aseguran de que trabajen con temas clave de gramática apropiados para su grado.

Unidad 8G

Escribir un cuento: nivel avanzado

En esta unidad cada estudiante pueden poner en práctica sus destrezas de escritura creativa, para aprender elementos de narración y desarrollo de personajes. También aprende la importancia del lenguaje vívido para enganchar a sus lectores y atraerles al cuento.

Actividades adicionales

Quests:

Quizás observe que su estudiante trabaja con sus compañeros en el mismo proyecto interactivo durante varios días, intentando resolver un misterio o explicar un acontecimiento histórico. Eso es lo que sucede cuando un maestro asigna una misión (Quest): una exploración minuciosa de una semana que requiere colaboración y ayuda a profundizar la interacción con los textos y con los temas tratados.

Vocab App:

La aplicación de vocabulario (Vocab App) ayuda a los estudiantes a dominar las palabras del vocabulario a través de actividades lúdicas que los hacen pensar en la morfología, la analogía y los sinónimos y antónimos, y a descifrar el significado a través del contexto.

¿Tiene alguna pregunta sobre Amplify ELA?

Visite nuestra biblioteca de ayuda (en inglés) y busque respuestas a sus preguntas sobre el programa en nuestros artículos de ayuda.

Para obtener apoyo curricular adicional, comuníquese con su maestro.

What is Amplify CKLA (grades PreK-5)?

Amplify Core Knowledge Language Arts (CKLA) was built from the ground up on the science of reading. It combines systematic foundational skills with the most content knowledge of any other program: all within high-quality instructional materials designed to support teachers. Only Amplify CKLA combines an explicit, multisensory approach to phonics with rich texts carefully sequenced to build content knowledge—so that learning to read and reading to learn develop together.

What is Amplify ELA (grades 6-8)?

Amplify ELA is a high-interest blended curriculum designed specifically for grades 6–8. With Amplify ELA, students learn to tackle any complex text and make observations, grapple with interesting ideas, and find relevance for themselves. Students are engaged through dynamic texts, lively classroom discussions, and meaningful digital experiences.

See the programs in action

Amplify CKLA:

Welcome reviewers

Why Knowledge Matters

Amplify ELA

Made for Middle School

Sample lesson walkthrough (The Titanic Collection, G6)

Sample program video (Chadwick Boseman reads “Narrative of the Life of Frederick Douglass”)

Review rubrics

Using an evaluation rubric to review? Take a look at our completed rubrics.

All-green, all the time:

Access the program

Amplify announces groundbreaking digital curriculum

(AUSTIN, Texas March 3, 2014) Today at SXSWedu, Amplify unveiled its groundbreaking digital curriculum for sixth-, seventh- and eighth-grade English Language Arts (ELA). The curriculum for each grade combines a year’s worth of Common Core-aligned lessons, written in collaboration with some of the world’s leading experts and intellectuals, with rich digital media from Academy Award-winning studios and stars of both stage and screen.

The curriculum will be available in classrooms at the start of the Fall 2014 school year at an introductory price of $45 per student per year. It includes an e-library stocked with more than 300 works of fiction and nonfiction. To help boost learning outside of class, the curriculum comes with more than 20 immersive, digital games from some of the world’s best independent game designers. The curriculum is built on top of an education-friendly analytics engine that is designed to help students read three times more and write three times more, as well as to help teachers provide students three times more meaningful feedback.

“Our goal was to design the most effective and engaging digital curriculum for the classroom that supports the kinds of rigorous learning goals that schools are ready for,” said Amplify Learning President Larry Berger. “I think we’ve done that.”

Today’s announcement is part of Amplify’s broader effort to produce K-12 curriculum for English, math and science. In addition to the digital ELA curriculum for sixth, seventh and eighth grades, the company will also offer a hybrid print and digital curriculum for K-5 ELA and supplemental digital curriculum in math and science in time for the start of the Fall 2014 school year.

About The Digital ELA Curriculum

Content

The curriculum contains academic lessons authored by world-class intellectuals like Benjamin Franklin biographer Walter Isaacson, Nobel Prize winner Eric Kandel and MacArthur Genius Grant winner Danielle Allen. We’ve paired their knowledge with Common Core experts to develop a full-year’s worth of scoped and sequenced curriculum for sixth-, seventh- and eighth-grade ELA, with lessons around personal narrative, fiction, informational texts, poetry and foundational documents. In addition to the books anchored in the lessons, each student has access to an e-library with more than 300 works of fiction and nonfiction.

Digital Media

Dramatic Readings: To help make difficult texts more interesting and accessible, Amplify has brought them to life with dramatic readings by stars of both stage and screen. Students can watch actors like Chadwick Boseman read from “Narrative of the Life of Frederick Douglass, an American Slave” or Elizabeth Olsen’s interpretation of “A Confederate Girl’s Diary.” School-based pilots have shown that when students watch a dramatic reading of the first chapter of a book, they’re more likely to go on and read the entire text.

Story Animations: Amplify has worked in collaboration with Academy Award-winning animators to produce visually rich, artistic renditions of some of the texts students encounter in the lessons. Captivating, high-quality depictions of “The Raven” and “The Cask of Amontillado” are tied to writing prompts and designed to help students grasp difficult literary concepts, perspectives and points of view, which are key to the Common Core.

Quests: These experiential lessons immerse students in a text through role-playing, close reading, evidence gathering, discussion and expressive writing. Students can solve Edgar Allan Poe’s murder, seek treasure as Tom Sawyer or debate signing the Declaration of Independence as a member of the Second Continental Congress, among other interactive experiences. These adventures engage students in active learning and help them develop essential Common Core skills such as critical thinking and the use of primary resources.

Vocabulary Program: Our approach to learning vocabulary is centered around hundreds of essential “reveal words” per grade. Students encounter these words in core texts and supplementary materials. Amplify’s Reveal Tool is designed to encourage students to learn a definition in context and then return to the text as seamlessly as possible. Amplify also provides ELL vocabulary activities, targeting key concrete nouns and verbs that are necessary for understanding the day’s lesson.

Teachers can use results from these diagnostic exercises to determine each student’s level of comprehension, and assign activities to meet a student where he or she is. Students can track their own progress using the analytical vocabulary tool, which tells them how many words they’ve mastered and how often they’ve used the words in their writing, empowering them to self-direct their learning goals.

Upon conclusion of Amplify’s complete ELA curriculum for middle school, students will have been exposed to 4,500 reveal words and completed more than 1,500 vocabulary practice activities.

About Amplify

Amplify is reimagining the way teachers teach and students learn through data-driven instruction, one-to-one learning and next-generation digital curriculum. Our products and services are designed for tomorrow’s promise and today’s realities.

At Amplify, we’re creating exciting new approaches to teaching and learning that are: as immersive as the best films; as compelling as the best video games; as social as the best networking applications; as personal as the best tutors; and as analytically sophisticated as the best search engines.

We’ve helped more than 200,000 educators and 3 million students in all 50 states begin their digital transition through mobile assessment solutions, adaptive curricula and tools that harness the power of data for classroom teachers. And we’re just getting started.

Headquartered in New York City and with more than 1,000 employees across the country, Amplify is led by a team of digital education experts and has provided industry-leading instructional tools, data analytics and assessment solutions to the K-12 market for more than a decade as Wireless Generation.